A Review of ‘Maybe We’ll Make It’ - An EP that presents Chapple as an artist with a clear & cohesive vision
- 15 hours ago
- 2 min read
‘Maybe We’ll Make It’ ultimately presents Chapple as an artist with a clear and cohesive vision; The EP’s strength lies in how its structure and sound reinforce one another, creating a project that feels complete rather than fragmented.
Corban Chapple’s ‘Maybe We’ll Make It’ is constructed with a level of intentionality that immediately sets it apart. Rather than presenting a loose collection of tracks, the EP is structured as a narrative, unfolding across five distinct stages that chart a progression through uncertainty, tension, and eventual acceptance.
The sonic foundation is rooted in alternative R&B, but the project expands well beyond that label. Elements of soul, hip hop, jazz, and pop are woven into the arrangements, creating a layered sound that prioritises texture and depth. Live instrumentation is central—keys, guitar, bass, and drums are all used to build a sense of space within the mix, allowing each track to breathe.
Chapple’s production background is evident throughout. There’s a precision to the way each element is placed, from the subtle layering of harmonies to the balance between rhythmic and melodic components. Despite this technical control, the EP avoids feeling overly polished; it retains a sense of immediacy that keeps it grounded.
Each track contributes to the overarching narrative. ‘Greener’ introduces themes of jealousy and self-reflection through a restrained arrangement, while ‘Let’s Not Talk About It’ builds tension around avoidance and ambiguity. ‘Braid’ expands sonically, using layered textures to reflect its thematic complexity. ‘Porcelain’ introduces a dual perspective, blending melodic and rap elements to explore fragility and ego. The title track closes the EP with a shift towards acceptance, both in tone and structure.
The context of the EP’s creation—written during Chapple’s early months in New York—adds an additional layer. There’s a sense of transition running through the project, both geographically and emotionally. That instability feeds into the music, giving it a reflective quality that ties the tracks together.




Comments