Evan Kanter fuses human intensity with AI precision in a cinematic journey that redefines modern rock: There’s a tension in Hypnotica that grabs you by the chest before you even realise it’s happening… Almost Alive, the New Jersey-based brainchild of Evan Kanter, has always existed at the intersection of instinct and innovation, but this album doesn’t just flirt with the future of rock — it stakes a claim. Here, AI and human emotion are not antagonists or collaborators in the

Paul Roland doesn’t simply make records; he builds pocket dimensions. Lair of the White Worm — now re-released and sharper than ever — is one of those rare albums that feels less like a collection of songs and more like a cabinet you open at your own risk… Inside: plague years, gothic serpents, Hammer Horror corners, Greek myths, Edwardian oddities, and the faint, unsettling creak of a world sliding sideways. Roland has spent over four decades as rock’s most literary outside

Opening with the fragmented instrumental 00:31 , the record immediately establishes an intimate, diary-like narrative… The songs unfold sequentially, chronicling a journey from confusion and loss to renewed self-respect. bad habit  and see you go  illustrate the emotional turbulence of youth with layered synths, delicate piano motifs, and understated beats that allow MARI’s emotive vocals to shine. “It’s not about me being a goddess — it’s about every woman deserving to feel

Montreal-based SUUNCAAT continues to redefine experimental pop with her latest single, Signs, an intense fusion of hyperpop, cinematic storytelling, and electronic ritual… From the outset, the track immerses the listener in haunted synths, urgent drum & bass breaks, and earworm melodies that shift between ecstatic EDM swells and intimate pop passages. The production is meticulous: every sonic element — from tremolo-laden textures to sudden collapses in rhythm — contributes to

Written during one of the most challenging periods of her life, the record functions as both diary and refuge, inviting listeners to reflect on impermanence with delicate reflection. From the opening track, Brittle Emotions, GRACE.’s voice carries a subtle ache — intimate, fragile, yet profoundly human — over sparse, cinematic instrumentation that highlights her lyrical honesty. Throughout the album, ethereal synth textures and restrained percussion give each song a dreamlike

Energy Whores have always dealt in contrasts, from the brightness of their electronic palette to the darker, incisive intelligence behind their lyricism. But this single feels different: not angry, not frantic, but quietly surgical. It dissects modern life with a steady hand, pulling apart the illusion of digital closeness strand by strand. The production, built in Logic X, is deceptively minimal. A slow bloom of synth pads forms the backdrop, delicate enough to feel almost

The EP blends Synthetic AI production with human musicality, creating a soundscape that is both expansive and forward thinking. From the outset, the tracks convey a sense of journeying — each melody, rhythm, and texture underpinned by the conceptual weight of purpose and hope. Facebook ,  Instagram ,  X ,  Threads ,  TikTok ,  Spotify ,  YouTube ,  Website The compositions are layered with global influences, drawing from multiple genres while maintaining cohesion. Melodic ph

A meticulously structured sonic experiment… a track where human emotion is translated into systemic pressure… The arrangement opens with cold, layered synths, progressing into a pulsating rhythm that echoes the sensation of a heartbeat under strain. As the track unfolds, melodies shift from still observation to turbulent collapse, mirroring the psychological tension at the heart of the song. Instagram | Twitter | Facebook | YouTube | Spotify Anna’s vocals thread thro

Sfork’s The World We Once Knew, featuring Fatboi, is a forward-thinking exploration of creativity in an AI-driven age… The track merges reflective rap with progressive EDM, balancing human narrative and machine-like production. Fatboi’s incisive verses confront themes of artistic loss and technological dominance, while Sfork’s production layers nostalgic synth lines over pulse-driven beats. Instagram , TikTok , X , Spotify , YouTube , Website Musically, the track juxtapo

With ‘Just a Girl’, Molly Stone proves that pop can be politically sharp, emotionally intelligent, and unapologetically fun. It’s the sound of a songwriter fully in control of her own narrative. Instagram , Spotify , YouTube Molly Stone’s ‘Just a Girl’ is a fiery slice of clever pop songwriting — a blend of sweetness, sharpness, and lyrical bite that turns everyday frustration into empowerment. Co-written with Leve and produced by REYA, the track flips the narrative on gende

ANASTÁZIE’s ‘Kiss & Let Go’  glows with a sense of freedom — a track that refuses to settle neatly into one category, instead blending R&B sensuality, Afrobeats rhythm, and jazz-tinged sophistication into a fresh and confident whole. Co-produced and written by ANASTÁZIE herself, it’s both technically sharp and emotionally fluid, flowing between smooth grooves and bright, effervescent hooks. Instagram ,  TikTok ,  Apple Music ,  Spotify From the opening bars, the rhythm secti

Sam Uctas’ The Dark Made Sense is an arresting record — the kind that feels less like an album and more like an unfiltered transmission from one person’s inner world. Recorded, performed, and mixed entirely by Uctas, it embodies his philosophy of imperfection as truth. The music is raw, unvarnished, and powerfully human. INSTAGRAM | SPOTIFY Using analogue equipment and a minimal setup, Uctas creates a sound that blurs the boundaries between rock, funk, avant-pop, and experim

‘Back to the Feeling’ marks Make Out Monday’s return with a wave of melodic nostalgia and energy — an anthem that fuses 80s sheen with the heart of modern alt-rock. The band’s knack for marrying cinematic production with emotional directness shines throughout, resulting in a track that sounds as big as it feels personal. From the first glimmer of synths, the song propels forward with a sense of movement — the rhythmic interplay between bass and drums providing the pulse bene

On Emerald Spy, Toronto-born multimedia artist Annika Zee delivers her most daring and conceptually rich project yet: A genre-defying...

New York electro-pop provocateurs serve danceable critique with heart and bite Energy Whores’ latest single, Pretty Sparkly Things, is...

A tender acoustic ballad and evocative riverside video capture the vulnerability of love and connection… FOLLOW: INSTAGRAM  | WEBSITE  |...

The band’s latest release isn’t just a song – it’s a widescreen rebellion where anthemic hooks meet unfiltered honesty. Imagine a...

Some projects feel deliberate, carefully plotted. Others, like goodtoknow’s debut EP ‘I’LL STAY’, are born out of pure serendipity. What...

For her eighth release, New York’s Lizzie Thomas has created something strikingly personal. ‘Awakening’ signals not only a shift in sound...

Bon Boy doesn’t play by the rules … His latest release, ‘Ramblin’ Gamblin’ Man’, is a snarling, swaggering ode to chaos — a garage rock...