X Revolution’s ‘GENERALS THEME’ is a labyrinthine odyssey, weaving through the murky undercurrents of human nature, laced with raw intensity and existential depth. FACEBOOK  | INSTAGRAM  | SOUNDCLOUD  | YOUTUBE | Cover Art by Alfie Wales Released on 25th September 2024, the track doesn’t just ask questions—it tears open emotional wounds, laying bare the jagged edges of power, morality, and self-reflection. A thunderous, all-consuming soundscape awaits, as if the listener is pulled into a subterranean world where light and dark wrestle for control, and truth remains elusive. The music feels like a visceral storm—chaotic yet meticulously orchestrated. Percussion slams in like waves crashing against rocks, fragmented and relentless, driving the listener deeper into the murk. X Revolution’s use of synths—specifically the Sequential Prophet 6 and Moog Matriarch—crafts a lush yet haunting atmosphere that feels like stepping through a fog-laden battlefield. The bass hums with an oppressive weight, while a shimmering guitar riff carves out moments of brittle clarity amid the disarray. The instrumental layers converse with one another, their tension building a palpable sense of foreboding... “To contemplate the track I decided to get back into playing some guitar, which I recorded while playing around with some progressions and a little solo. Everything produced in the instrumental really spoke to me, bringing out some deep seated emotions. The lyrics really mean something to me, especially when I recorded them. It felt different this time when recording the rap parts.” GENERALS THEME’ is an exploration of scars, both visible and hidden: X Revolution evokes the image of a battle-scarred general who’s waded through the muck of war, only to find the real conflict lies within. The track holds no punches, inviting listeners to sit in the discomfort of their own shadows, navigating the boundaries between strength and vulnerability. There’s a disquieting honesty here—one that avoids heroic clichés and embraces the complexity of simply surviving.  “ I’ve seen quite a few things growing up that would affect anyone badly, so I refer to the song as 'GENERALS THEME', because I feel like an old-time war General who has been through too much, and would prefer not to see or be involved in any more conflict .”  What’s truly captivating is how ‘GENERALS THEME’  does not resolve itself. It refuses to settle, to tidy up its questions, leaving listeners lingering in the rawness of it all. It’s more an invocation than a conclusion, pulling us into the void and daring us to search for meaning amidst the chaos. X Revolution offers no clear path—only the stark confrontation of self in its most primal form.

Paige Drobot’s latest release, ‘Alien Girl’, embodies a vintage flair and modern eccentricity, a track that captures the essence of alienation with an undeniable charm. Known for her genre-defying style, Drobot continues to push the envelope, creating a sound that is at once nostalgic and refreshingly contemporary. On ‘Alien Girl’, she merges rock, doo-wop, and freakbeat into a unique sound that celebrates the golden eras of music, while offering a new twist.... “The music video was so wild to make... I was honestly so surprised by how supportive most comments were. A lot of cute retired folks wishing me the best. Greening myself took all the pressure off—no matter what, I would look silly and ugly, and that’s okay. I’m not a model, I’m a musician.” INSTAGRAM  | FACEBOOK  | WEBSITE  | BANDCAMP  | SPOTIFY  | APPLE MUSIC  | YOUTUBE The song opens with a vintage warmth that harks back to the late 1950s doo-wop groups, setting an almost whimsical tone that contrasts with the song’s deeper, more reflective themes. Drobot’s guitar work here is a standout, with her signature blend of precision and flair. The analogue recording techniques give the track an organic, authentic feel, as if it were lifted straight from an old vinyl. Each strum carries a depth that mirrors the emotional weight behind her lyrics, enveloping the listener in a warm, nostalgic bubble. Her vocals are playful yet tinged with vulnerability, dancing between ethereal melodies and grounded storytelling. The multi-layered harmonies evoke a sense of longing, reminiscent of early pop ballads but imbued with an unmistakable sense of modernity. Her voice, alternating between light and grit, brings an extra dimension to the track, giving it both an emotional core and a celestial, almost otherworldly quality. Paige’s use of freakbeat elements—those sharp, rhythmic twists—adds an unexpected dynamism to the track, keeping it from settling too comfortably into its nostalgic influences. These moments of upbeat disruption break the mood just when you think you’ve settled into the groove, reflecting the song’s underlying themes of alienation and feeling out of place. It’s an intelligent interplay between sound and meaning that Drobot handles with impressive subtlety. The instrumentation is another highlight, with each element carefully crafted to build layers of sound that transport the listener to another time. The analogue synthesiser hums with a vintage warmth, while the drumbeats keep the energy buoyant. The entire production has a distinctly handmade feel—intimate, almost tactile. Adam and Derek Cherpako’s contributions are felt through the tight interplay of bass and percussion, enhancing the throwback appeal while complementing the modern twists in Drobot’s songwriting. ‘Alien Girl’ is an exploration of feeling disconnected, yet its sound connects on a deeply emotional level. By blending vintage doo-wop aesthetics with modern rock energy, Paige Drobot crafts a sonic journey that is both deeply personal and universally resonant. It’s a bold statement from an artist unafraid to wear her eccentricities proudly, all the while reminding us of the timeless power of music to bridge the gap between past and present.

Belfast-based indie outfit The All Clear introduces itself to the world with their poignant debut album, ‘Harbour Songs’. The record is a reflective journey led by Joe O’Sullivan, a seasoned solo artist whose day job as an oncologist lends a unique depth to his songwriting. ‘Harbour Songs’ is a multi-layered work, combining personal revelations with delicate yet captivating soundscapes that invite the listener into an emotional exploration. The album opens with ‘Northern Soul’, a track that sets the tone for the entire album with its wistful instrumentation. Driven by a gentle bassline and supported by ethereal guitar swells, the song invokes a sense of calm introspection, capturing the spirit of the album's title. O’Sullivan’s vocals are tender, weaving a narrative of nostalgia and longing that permeates the album. The band’s ability to balance soft, spacious production with richly layered arrangements gives ‘Harbour Songs’ an authentic indie feel while maintaining an elegant polish. One of the standout tracks, ‘In The Dark’, pushes the boundaries of indie rock with subtle experimentation. The drums, handled by Ali Donnelly, play with syncopated beats that subtly build tension, mirroring the emotional uncertainty in the lyrics. This rhythmic complexity is paired with atmospheric guitar lines, creating an expansive sound that wraps around the listener. Joe Craig’s basslines ground the track, offering a pulsing heartbeat beneath the dream-like haze. ‘The Right Side Of Vulnerable’ is perhaps the most emotionally raw song on the album. Here, O’Sullivan’s voice takes centre stage, unembellished and honest. The sparse arrangement allows his voice to soar, drawing attention to the fragile emotions at play. Backed by his son Oisín’s delicate harmonies, the track becomes a showcase of The All Clear’s ability to convey intimacy through minimalist soundscapes. The album’s final track, ‘I’m Not Sugarcoated’, brings the record to a close on a more uplifting note, with warm acoustic guitars and a brighter tempo. The contrast between the darker themes earlier in the album and this final, hopeful resolution highlights the album’s central theme of healing. ‘Harbour Songs’ is an immersive debut, rich with atmosphere and careful storytelling. The All Clear masterfully blends elements of indie rock and folk, creating a sonic palette that reflects both the melancholy and hope of O’Sullivan’s life. Each track is a testament to their commitment to creating a deeply personal yet universally resonant sound—one that listeners can find solace in.

We caught up with Judders of (Seas Of Mirth) ahead of his what looks to be a sell out show at The Old Bus Depot this Saturday 5th October to talk music, mayhem and all things mirthy.... We hear you’ve got some new releases in the pipeline,tell us about them? - Apart from the gas I'm about to release from my pipeline after these spicy fajitas we've got nothing... Well, a few remixes have been done. We spent ages on Kriller so there's a lot to unpack there for a few years we like to think! You’ve been together what 15 years now? Is it the same lineup and how have dynamics changed in terms of preparing for gigs and songwriting? - We have had over 30 different band members in this time, though since about 2018/9 we've more or less stuck to the same. All past members are part of our extended family tho and some do a guest appearance when they can. No argy bargy Jane's Addiction style bust-ups, if that's what the popcorn eaters were after. Me and Paul still write the majority of tunes. 3. Your image underwent a bit of a change, more more bling, less arrrrgg. Was that organic or a group decision? - We really had to leave the pirate thing behind. We've got so many influences between us and while we took a lot of that in while writing the shantified tunes, it got to the point where we wanted to break free from those shackles. I swear in 2018 nearly the only gigs we could get were "pirate-themed events" and a lot of them sucked. It was getting a bit cringe and we were all over 30 and sometimes you have to make adult decisions. We wanted to do a more sensory underwater album for a long time so that was Sub Marine Dreams in late 2019, and Kriller is a bit of a continuation of that, but with more of a disco/nightlife lens. So these days, the image is deep sea bling/sequins, sparkles and very garish UV lights. 4. Do you have favourite festivals to play and you’ve been playing a lot more gigs overseas (accidental pun). Tell us about that? -Fave festies: we played Maui Waui in Norfolk this year for the first time and the vibe and size was spot on. Lost In The Hills which we played at last year and generally help out every year, stunning location in the Peaks and the music is always mindblowingly cool. Beat Herder this year was a good laugh. And we did a small gathering last year in Somerset with a big triangular stage, can't remember the name of it... You’re doing a lot less local gigs nowadays. Was the up and coming gig at the depot something you’d planned with the other bands and how did you meet them? -Yep, while we are in a good position to travel around we're totally milking that. Maybe when we're older we'll play more locally, for now it's good to space local gigs out so you can add more focus on the promo. We're playing more in Derby(shire) and Leicester gigs too as we have some folk from there. Someone's gotta be, eh! Haven't played abroad since the Brexit hammer. It's a massive faff now. Cheers for that, Boris! 6 . Have you always been in prog bands? How many bands and musicical acts do you share between you all? Prog is a sticky label, while we're most certainly "progressive", I'm not sure if we're necessarily a prog band. It can be a very serious genre. Serious we are not... Myself Sally and Zorba play in Hallouminati, but we're having a long break right now. Zorba's doing his Komboloi Star project, Paul is aka Pale Stranger, Todd makes noises as Sad Bread, Ted Carp plays in a heavy math rock band called Nostalgia for Ruins. Where are your three top cities and why? Manchester is always a vibe, everyone is always up for it and we always get on amazing lineups. Sheffield is the same, they absorb us well! And we'd include Nottingham on there but only if all the people come tonight!! Is there any other bands locally or further afield we should check out and why? Yep, Ask My Bull, flamboyant jazz punk from Manchester, Flat Moon, old skool p-funk from Leeds, Not Soup, soulful mathy Brummies, Hot Head Show from London who make wonky and incredibly catchy singalong tunes. They don't gig a lot but we helped bring them out of hiatus a couple of years back on a bill down there and it was just the best. Oh, and there's Ushti Baba from Bristol who are total babes and call themselves Pan-European Folk Rave. In fact, I think they're playing with us tonight! Yeah they are!! 9. If you had a Time Machine and could put together any gig line-up from any time in history who would it be and why? Nick Cave, with the Chili Peppers. He always ranted about them so it would probably be quite funny watching him cringe. And I like both acts, whizz back to the 90s for optimum performance. Done 10. What can we expect from the gig on Sat 5th October? Irregular dance moves, giant jellyfish, bubbles, trippy visuals, steamed clams. And yes, despite our vibe change, we still do the tug of war. What’s your rule to live by? Stay close to the water and try not to hold grudges Catch Seas Of Mirth tonight at The Old Bus Depot (Sat 5th October) - Advance tickets sold out so pay on the door only (£12) - Support from Ushti Baba & Purple Hat Mob Interview by Will Robinson Photos: Haluk Gurer

Pop and R&B sensation Melinda Valenz continues to rise as a powerhouse in the music industry with the release of her latest single, ‘Mm-Hmm’ Known for her ability to seamlessly blend Pop, Soul, Gospel, and R&B, Melinda brings a fresh yet nostalgic sound to this new track, channeling the classic vibes of 50s doo-wop while staying grounded in contemporary R&B. Born in Tucson, AZ, and raised in Las Vegas, NV, Melinda has crafted a unique path in the music world, drawing from a rich array of influences including Anita Baker, Alicia Keys, Mariah Carey, India Arie and Selena. As a proud half-Mexican artist, Melinda also holds a deep respect and love for her Latina heritage, which profoundly shapes her connection to Selena's enduring legacy. With over 2 million Spotify streams in 2023 and standout tracks like the remix of "Summer in Houston" featuring Paul Wall, which gained 1.1 million streams, Melinda has already made her mark. Her previous singles, "Confidence" and "My Best Life," have also seen major success, reaching over 500,000 and 150,000 streams on Spotify alone. "Mm-Hmm" is a soulful, feel-good anthem that blends infectious pop melodies with Melinda’s signature vocal delivery. With a sound reminiscent of artists like Meghan Trainor, Lizzo, and Tori Kelly, the track offers a refreshing twist on vintage R&B. Melinda’s rich, emotive voice shines through the lush production, creating a commercial yet timeless sound that’s both empowering and captivating. Melinda’s approach to ‘Mm-Hmm’ was to create a piece that feels familiar but also surprises the listener with its modern energy. The retro aesthetic is complemented by lyrics that are unapologetically confident and relatable, making it both a danceable hit and a statement of self-love. She shares “This anthem of self-confidence captures the spirit of standing strong against doubt. With catchy melodies and empowering lyrics, it's a feel-good track that brings retro flair to modern music. To me, it means perseverance, to keep following your dreams no matter what others say.” The song’s nostalgic undertones are brought to life with modern production techniques, including layered harmonies and vocal runs that showcase Melinda’s exceptional range that stands amongst the best. The result is a track that’s as catchy as it is empowering. With its blend of retro charm and radio-ready appeal, this single offers a glimpse into the direction of her upcoming projects, which promise more of the timeless-yet-fresh sound her fans love. Follow on Instagram & Facebook , or check out their TikTok below:

Pat Donnelly, the talented singer-songwriter from the charming village of Holycross in County Tipperary, is set to enthral listeners with his eagerly awaited album, 'Reading You Closely'. This highly anticipated release marks a new chapter in Donnelly’s musical evolution, showcasing his knack for translating personal experiences into powerful, universally relatable songs. Donnelly's musical journey began in his teenage years, fuelled by a discovery of nu metal that led him to pick up the guitar. His early exposure to pop punk, especially through the sounds of Blink-182, shaped his formative years. By 17, Donnelly was already performing with various bands and writing his own material, setting the stage for his distinctive sound. INSTAGRAM  | SPOTIFY Reading You Closely  is a reflection of Donnelly’s growth, blending punk vitality with melodic sensibilities and introspective lyrics. Drawing inspiration from icons like Billy Joel and Peter Gabriel, Donnelly’s latest album offers a nuanced exploration of human connection. The album delves into themes of loss, grief, and relationships with a candidness that is both deeply personal and widely accessible. The ten-track collection navigates through a spectrum of emotions. ‘Daddy’s Little Princess’ reveals a reflective side, while ‘Leaving With The Sun’ brings a burst of anthemic energy. Each track serves as a narrative piece, weaving together Donnelly’s journey with his listeners’ own experiences. Album Tracklist: Daddy’s Little Princess She’s Not The One One Night And Without Her Fade Of Summer Stay Right Here Leaving With The Sun The Stars Still Sparkle Here You Go Again Seeing Your Face Again Find A Way Heaven Seems Angels With its emotive lyrics and engaging sound, Reading You Closely  establishes Pat Donnelly as a rising force in music. This album is not just a showcase of his artistic versatility but a testament to his ability to connect with audiences on a profound level. As Donnelly continues to carve his path in the industry, Reading You Closely  is set to cement his status as an emerging star.

Hollow Stare ’s latest single, I’m Barely Alive , is a powerhouse of raw emotion, intricate musicianship, and sheer intensity . The track, taken from their new album Diary Of A Madman , showcases the duo’s ability to blend the melodic with the brutal in a way that feels seamless and natural. Opening with a haunting orchestral intro, I’m Barely Alive  immediately sets a cinematic tone. The atmosphere is dark, almost foreboding, but as the heavy guitars and pounding drums enter, the track quickly builds into something much larger. Daniel Friedman-Posner’s meticulous production shines through as layer upon layer of sound creates a wall of noise, while Ben Fleming’s guttural vocals tear through the mix, delivering a performance that is both aggressive and emotionally charged. What makes I’m Barely Alive  stand out, however, is the balance Hollow Stare strikes between brutality and melody. The track shifts from punishing breakdowns and relentless riffing to soaring, melodic passages that offer brief moments of beauty amidst the chaos. It’s this contrast that makes the song so captivating, pulling the listener through a journey that feels both cathartic and epic. INSTAGRAM  | YOUTUBE   | SPOTIFY Lyrically, the song is a deeply personal exploration of heartbreak and emotional turmoil. Fleming’s performance is dripping with pain and frustration, adding a layer of vulnerability to the track’s heavy sound. The combination of raw emotion and technical proficiency gives I’m Barely Alive  a depth that goes beyond standard deathcore fare, appealing to fans of both aggressive and progressive metal. For those who appreciate bands like Lorna Shore or Periphery, Hollow Stare brings a fresh perspective with I’m Barely Alive . It’s a track that refuses to be boxed in, offering something powerful, melodic, and unapologetically heavy—a definitive statement from a band that’s only just beginning to carve its mark. Press Photo by Sisi Burn

Big Yard’s debut EP ‘54th St.’ is an eclectic fusion of musical genres, with a meticulous craft that’s both fresh and familiar ‘Give It Away’, the lead single, sets the tone with a deft blend of country, pop, and rock, enhanced by Darryl Scotti’s emotive delivery; The song’s laid-back groove is punctuated by clean, melodic guitar lines and lush female backing vocals, which add warmth and depth to the track. There's a smooth, almost effortless balance between rhythm and melody, creating a sound that feels rich and dynamic but never overpowering. The track’s reflective lyrical theme about love and selflessness is matched by its mellow, soulful arrangement. The electric guitar brings a crisp, nostalgic edge, calling to mind influences like John Mayer and Billy Joel, while the backing harmonies evoke a classic pop charm. This is a song that feels like it could fill a room or provide the perfect backdrop for a long drive. INSTGRAM | FACEBOOK Throughout the EP, Big Yard navigates genres with ease. Their mastery of blending big band jazz elements with smooth pop-rock makes each song feel distinct but connected. The arrangements are polished yet retain a live, organic feel, showcasing the musicians’ collaborative energy. With the upcoming release of ‘54th St.’, Big Yard carves out a unique space in contemporary music, pushing the boundaries of genre while staying rooted in classic, timeless elements.

The opener establishes the record’s tone with shimmering strings and an almost cinematic build-up, balanced by the intimacy of her vocal delivery. Angham’s voice, delicate yet commanding, dances fluidly between modern production elements and traditional maqam scales, creating a tension that feels timeless... Follow Angham on INSTAGRAM  | FACEBOOK  | X  | YOUTUBE  | SPOTIFY The album takes listeners on a journey, moving from the sweeping orchestration to cleverly minimalistic beats; This balance between grandeur and restraint is where Angham truly shines. Her ability to craft emotional depth with subtle vocal inflections, paired with sophisticated instrumental arrangements, creates an immersive experience for her audience. This collection channels vibrant rhythmic patterns, nodding to her Egyptian roots while incorporating a polished, global sound that wouldn’t feel out of place in a modern pop chart. The track’s layered percussion, delicate oud flourishes, and Angham’s vocal agility offer a showcase of her versatility. Collaborating with some of the region’s top composers and lyricists, Angham ensures the album is rich in musical textures and lyrical depth, reaffirming her position as a creative force. With a career spanning decades, *تيجي نسيب* demonstrates Angham’s ability to evolve while staying grounded in her cultural heritage. Fans can catch her on tour later this year, continuing to captivate audiences across the world.

Dublin’s indie rock scene is buzzing with the arrival of Pants On Fire’s latest single, ‘Vodka Shampoo’ The band has been hard at work refining ‘Vodka Shampoo,’ which originally began as a jam session over a year ago. Since then, it’s undergone multiple iterations before finally finding its form. Recorded at Orchard Studios in Wexford, the single captures the full intensity of their live sound, marking a bold new chapter for Pants On Fire. Known for their raw energy and genre-blurring sound, the band has quickly risen through the ranks with a dynamic combination of heavy riffs and catchy melodies; Their new single promises to showcase a fresh, heavier direction, following recent lineup changes. INSTAGRAM  | WEBSITE  | SPOTIFY We caught up with Finn, Ollie, Jeff, and Kaelig to dive deeper into the origins of the band, how their sound has evolved with the new lineup, and what fans can expect from their upcoming release. With 'Vodka Shampoo' on the horizon and their biggest gig yet just around the corner, there’s plenty to talk about. Let's get into it... How did "Vodka Shampoo" come together, and what sets it apart from your previous work? Vodka Shampoo was the first old idea we revisited after transitioning to our new lineup, as we had always loved the riff and stuff and we knew it had potential. It was the first time myself and Ollie had tried to write together properly in ages and to be honest we couldn’t  get anything done sat in a room together. Eventually Ollie had finished the verse ideas and we collaborated with the rest of the guys for the bridge/outro. What sets it apart from older stuff id say is the production first of all, so much better then our self-produced sound, and the songwriting has improved, and vibes.  How has the new lineup changed your sound and creative process? The new lineup has been what Pants needed I think, we’re all on the same wavelength with a lot of stuff and we’re all on the spectrum (big time). Creatively, there’s a lot more input from all sides which is great.  What were some key moments in your transition from a cover band to an original act? When Sam, the drummer of our old cover band left to go to college, Mel, who was the singer, stepped up or should I say sat down to be the new drummer, which kept the band alive to be honest. We played as a 3 piece for a while before Ollie joined and fucked everything up. But yea when ollie joined we felt like we could do some really cool stuff, me and him both started bringing songs of our own to the band and writing together too. The band name drama went on for too long as we had a gig booked and needed a name, at one point our name was Peanut Butter but we were quickly talked out of it and that’s actually how the song came about. At that time we were going through many tubs of peanut butter so it felt right. Our process was thinking of a name , if it was good or atleast made sense we’d look it up on Spotify, and if there was any other artist with the same name then we’d think of a different name. When I thought of pants on fire I was sure that there’d already be a band with the name, but there wasn’t so there you go.  Which artists or genres influence your music the most? We have a mix of influence from rock, rap, indie, punk, all sorts. One artist we really both enjoy and look up to would be Jean Dawson. He is phenomenal and every song is a mash up of two or more genres and ideas. Check him out.  What’s next for Pants On Fire in terms of new music or tours? We hope to release 3 singles from our next project by the end of this year, we’ll have gigs around Dublin, and one over in Manchester in October. We’re planning some small tours and gigs around the country. We also have some exciting plans that we hope can be out in the world sooner rather then later. Stay tuned :)

46 Forty Six Band's latest single, Never Ending Story, is a journey through the shadows of melodic metal; From the opening moments, it’s clear that this track is built on the foundations of deeply personal experience, but its sound transcends into something bigger—raw, atmospheric, and unapologetically intense... The track opens with a brooding guitar riff that seems to hover in the air, like a storm brewing on the horizon. There’s an almost cinematic quality to it, pulling you into its depths before the full weight of the drums crashes in. The bass is a driving force here, pulsing like a heartbeat just beneath the surface, grounding the song while giving it a relentless energy. Together, these elements set a mood that’s heavy but not oppressive, melodic but not soft. It’s a perfect balance of aggression and harmony that defines the best of the melodic metal genre. FACEBOOK  | INSTAGRA M  |   YOUTUBE  | SPOTIFY What stands out most is the vocals—gritty, urgent, and dripping with emotion. There’s a rawness in the delivery that feels almost confessional, as if the singer is wrestling with his own demons in real-time. The lyrics themselves explore themes of personal struggle—battling addiction, navigating broken relationships—but they’re not spoon-fed. Instead, they’re woven into the soundscape, allowing the listener to feel the weight of those emotions rather than just hear them. The chorus is where Never Ending Story  hits its stride. It’s an eruption of sound, with soaring vocals layered over thick, chugging guitars. The melody is infectious, but it doesn’t lose any of its edge, maintaining a gritty, underground feel that’s refreshingly unpolished. There’s a real sense of catharsis here—a release of tension that’s been building since the first note. Yet, even in this moment of release, the track never feels rushed. It breathes. It takes its time. And because of that, the impact is even greater. What’s particularly impressive is the depth of the production. 46 Forty Six Band doesn’t overload the mix, but every layer is intentional. Subtle synths creep in during the background, giving the song an eerie, almost otherworldly texture. The guitar work is intricate, with harmonies and leads weaving in and out, creating a rich, full sound without feeling cluttered. The drums are powerful but not overbearing, providing the backbone without ever stealing the spotlight. The guitar solo in the latter part of the song is a standout—sharp, fast, and filled with emotion. It feels like a release, a final burst of energy before the track comes full circle and returns to its haunting beginnings. In that return, you feel the weight of everything that’s come before. The track doesn’t just end—it lingers, echoing in your mind long after the last note fades. Never Ending Story  has already made waves beyond its German origins, receiving airplay on rock and metal radio stations across South America, particularly in Chile, Argentina, and Ecuador. The international recognition speaks to the track’s universal appeal—it doesn’t matter where you’re from, this is a song that hits you in the gut and stays with you. It’s not just for fans of melodic metal; it’s for anyone who’s ever felt the weight of life’s struggles and needed a soundtrack to help carry that burden. I wrote ‘Never Ending Story’ as a way to channel my personal struggles into something creative,' says the artist behind 46 Forty Six Band. 'It’s about facing life’s challenges head-on, whether it's dealing with the ups and downs of relationships or overcoming the grip of addiction. This song is my story, and I hope it resonates with others who might be going through something similar - Dominik In the end, Never Ending Story  isn’t just another metal track—it’s a visceral, immersive experience. It’s a testament to 46 Forty Six Band’s ability to craft something both deeply personal and widely relatable. There’s no filler here, no wasted moments. Every note, every beat, every word has purpose. And that’s what makes this track so powerful—it’s real, it’s raw, and it’s impossible to ignore.

Nottingham-based duo Modern Coven have been casting their spell on the indie music scene with a unique blend of dark folk and dream pop. With an ever-growing discography that delves into the mystical and the macabre, they’ve established themselves as a formidable presence in the underground music world. Their journey began with ‘Curses’ in 2020, an album that introduced listeners to their signature sound—a mix of haunting melodies, ethereal vocals, and lyrics that delve into themes of mysticism and the supernatural. This debut was followed closely by ‘Always Watching’, also released in 2020, where the duo continued to explore the eerie and the otherworldly, with songs that felt like they were plucked straight from a dark fairytale. In 2021, Modern Coven took their sound even deeper into the shadows with ‘The Beast’. This album was a turning point, showcasing a more refined and complex approach to their music. The haunting atmospheres were darker, the lyrics more reflective, and the production more polished, yet still retaining that raw, emotional edge that had become their trademark. Their latest release, ‘It’s All Over’ (2022), sees Modern Coven reaching new heights. The album combines everything they’ve perfected over the years—moody, minimalist instrumentation, captivating vocals, and an overarching sense of melancholy and mystery. Each track is carefully crafted to draw the listener into their world, a place where reality blurs with the supernatural, and where every note seems to carry a hidden meaning. TIKTOK | INSTAGRAM | SPOTIFY Modern Coven's work resonates deeply with those who find beauty in the darker aspects of life. Their music isn't just something to listen to—it's a journey through the shadowy recesses of the mind. With each release, they invite listeners to step deeper into their witchy world, and it’s clear that they have no intention of slowing down anytime soon. Photo Credit: Matilda May Bailey @_nightshade.evergloom_