In 'Good Girl', Scrimshaw Porn, the solo endeavour of Nick Helgesen, delivers a bold commentary on gender expectations, wrapped in a layered indie pop framework. From the first note, the track feels like a vibrant homage to the '80s, with its shimmering guitar tones and atmospheric synths calling to mind The Cure, while the inclusion of saxophone injects a warmth reminiscent of late-night radio classics. The piano, however, grounds the track, offering a melodic clarity that intertwines seamlessly with Helgesen’s playful yet biting lyricism. Inspired by a 1956 ‘good housewife’ guide, Helgesen crafts a song that’s as much a critique of past ideals as it is a reflection on their lingering presence today. The juxtaposition of upbeat, almost danceable rhythms with pointed, sarcastic commentary on misogyny is a masterstroke. Helgesen’s vocals, crisp yet emotionally charged, glide over the complex instrumentation with ease, guiding the listener through a narrative that is equal parts satire and social critique. Scrimshaw Porn’s eclectic influences, from sci-fi to live comedy, subtly colour the arrangement, giving 'Good Girl' a textured, multi-dimensional feel. As Helgesen continues to challenge conventions, his upcoming live shows are sure to be as immersive as his recordings. Facebook  | Instagram  | Youtube 'Good Girl' offers a sharp critique of outdated gender norms, drawing inspiration from a 1956 housewife guide. What was it about this particular piece of history that resonated with you, and how did you translate those feelings into the sound and lyrics of the track? I see the social trajectory we seem to be on as Americans and am incredibly disillusioned. It has become easier and easier to find widespread social media and news content that is not factual, is ultra biased and serves specifically to further self interests. These distruths are intended to misdirect. In contrast to fostering a healthy, open dialogue, they bolster prefabricated opinions and splinter us. As people are blindly duped into opposing factual reality, they gather resentment and hatred for others with whom they actually share most values. This content also makes things appear much worse than they actually are, leading to a longing for the good old days and a need to blame someone for why things have changed. Big pic is that the disinformation that is spread as part of our political landscape is like a virus that creates hatred, largely manifesting itself in misogyny, a hallmark of the bygone era when females were to be seen and not heard and kept in their place. When I read the 1956 guide on how to be a good housewife, from which the Good Girl lyrics stem, it became clear that there is a prevalent mindset of a desire to take us back to these times. It’s gross. Not that I’m massively political, but for instance, the overturning of Roe vs. Wade is staggering to me. I find it unfathomable that any female or anyone who has respect for any historically underrepresented group could be on board with the current conservative agenda. I guess Good Girl is a sarcastic venting of sorts and a protest against outdated gender norms. I hope that we take a turn for the better. Your music has always had a personal narrative element, but 'Good Girl' feels especially pointed in its satire - How do you balance conveying a serious message with the biting sarcasm that characterises this track? Most people who listen to this song will hopefully grasp that it is sarcastic. Not only would I never expect my meals prepared for me and on time, I would never call a woman a “good girl.” I think the seriousness of the message is simply timely. It needs to be said now and irony works well as a delivery mechanism. Can you walk us through the creative process behind the instrumentation for this song, blending piano, electric guitar, sax - how you decided on this particular sonic palette? Actually, after smoking a bit of weed, hanging out with my sister in my recording studio, I just began banging out the lead pluck synth line. It is in its original form. Next, standard percussion, -kick, snare and other drum patterns, followed by interesting percussive sounds that serve largely as transitions from bar to bar or verse to chorus and so on. Since I don’t play bass, I often use low arpeggiated sounds to fill in these frequencies, as was the case for Good Girl. Accent sounds and samples came next and once in the studio, I sang, did a little beat box and laid down the ending piano melody on the beautiful Wurlitzer grand (what a pleasure to play it!) Incidentally, the lyrics came together prior, at home, in less than five minutes with very few tweaks. It just seemed to go this way for the entire song, including Mark Purrington actually doing the complete drum track in exactly ONE take. Our mouths were agape -he is an absurdly great drummer. Trevor Kellum was responsible for the perfectly classic sax lines in the choruses and Matt Ricci, my co-producer and engineer, is an excellent guitar player and filled in the funky electric last, as accents. Like almost all of my songs, Good Girl wrote itself based on my mood and great input from my players. 'Good Girl' draws parallels between mid-20th-century gender expectations and some contemporary political rhetoric; How important is it for you as an artist to engage with current social issues through your music, and how do you hope your listeners will respond to this track? Again, I am not terribly political but getting increasingly concerned that we seem to be hurtling towards a reality that is closer to The Handmaid’s Tale than it should be. Who exactly decided it would be a great idea to have Donald Trump walk into the Republican National Convention to “It’s a Man’s World” playing? WTF. And given the gravity of our next election, why is everyone  not incredibly offended by this?? Although a lot of my music is apolitical -whimsical or naughty or fantastical, I guess I hope that Good Girl sheds some light on where we are heading and why. How did your influences - from The Cure to LCD Soundsystem - specifically play a role in the creation of 'Good Girl,' and what unique elements did you bring to the table to make the track distinctly Scrimshaw Porn? I love those bands. I have never heard a track from either that I don’t like -incredible writing, great storytelling with poignant lyrics and sonic landscapes that you want to experience over and over. In particular, the synthetic element of both and many other acts has continued to be a huge influence on my writing, including Good Girl.  I find that there is an ever increasing amount of freedom to create better and better songs in the digital realm as tech improves and my own songwriting evolves. I hope that the unique combination of samples and sounds in Good Girl mixed with great playing and a real and timely message will be well received. Thanks to all who listen!

Get ready to dive into the mesmerising world of Porcelain with their latest single, 'Escape Routes'; This Newcastle-based alt-rock band has crafted a track that promises to be a standout, blending ambient textures with their signature alternative rock sound - Follow on INSTAGRAM  | FACEBOOK  | SPOTIFY   'Escape Routes' opens with a captivating swirl of reverb-heavy guitar tones that immediately set an otherworldly atmosphere. The track’s rich layers of instrumentation and hauntingly delayed vocals draw inspiration from the likes of Radiohead, Pink Floyd, and Muse, creating a sound that is both expansive and introspective. Curtis’s vocals add a layer of emotional depth, exploring themes of vulnerability and the search for connection with lines like 'I'd like to think you wouldn't let me sink' and 'blown wide open.' Produced by Lisa Murphy and engineered by Holly Rees at Blank Studios and Production Room, 'Escape Routes' showcases meticulous craftsmanship. The production ensures each element—whether it's the lush guitar work or the subtle vocal effects—shines through, delivering a dreamlike quality that is both immersive and impactful. Following 'Escape Routes,' Porcelain has more in store with their upcoming single, 'The Opportunist,' set for release in September/October 2024. With their recent successes, including tracks like 'False Alarm' and 'Hearsay,' which have earned airplay on BBC Introducing and Radio X, Porcelain is firmly establishing themselves as a band to watch. Catch Porcelain live on September 19th at The Grove, where they’ll be supporting Silk Road - a show that promises to be as dynamic as their new track, offering fans a chance to experience Porcelain’s evolving sound up close. BUY TICKETS

In ‘Reverse Psychology’, ASH has crafted a track that is both sonically and emotionally compelling, a strong indication that she is a rising star with a clear and distinctive voice in the contemporary music scene. INSTAGRAM  | TIKTOK  | YOUTUBE  | SPOTIFY   | APPLE MUSIC ASH’s latest single ‘Reverse Psychology’ is a vivid testament to her evolving artistry, blending elements from alternative R&B, rock, and neo-soul into a soundscape that is both intimate and expansive. This track is a masterclass in mood manipulation, guiding the listener through a journey of emotional unravelling with a deft hand. The track opens with an understated guitar riff, its simplicity underscoring the emotional weight of the lyrics that follow. ASH’s vocal delivery is hauntingly introspective, with a rawness that feels almost uncomfortably personal. There’s a depth to her voice that draws you in, each note carefully weighted to enhance the emotional gravity of the song. Her use of vocal layering is particularly striking, creating a sense of inner dialogue that mirrors the themes of conflict and resolution that permeate the track. ASH’s bilingual lyricism adds another layer of complexity to ‘Reverse Psychology’, seamlessly weaving Mandarin and English to reflect her multicultural background. The production is lush yet restrained, allowing each element of the track to breathe while maintaining a cohesive flow. The interplay between the sparse percussion and the rich, resonant bassline creates a tension that echoes the lyrical narrative of a relationship on the brink. The chorus of ‘Reverse Psychology’ is where the track truly shines. Here, ASH’s voice soars above the instrumentation, delivering a hook that is both catchy and cathartic. The song crescendos towards its final moments, with the instrumentation building in intensity before dropping away to leave ASH’s voice exposed, a moment of vulnerability that lingers... Cover art design: Ashley Cheng

Kevin Gleeson’s first full-length album as Sour Blood weaves together intricate orchestration and deep emotional resonance, marking a captivating entry into contemporary music... Sour Blood’s debut album, ‘Suas’, is a rich melody of nocturnal balladry, with intricate layers of orchestration and profound emotional depth. From the first note, the album invites listeners into a world where soundscapes are meticulously crafted to evoke a sense of both wonder and melancholy. Kevin Gleeson, the creative force behind Sour Blood, has engineered an auditory experience that feels at once expansive and intimate. Follow Sour Blood: INSTAGRAM  | TWITTER  | SPOTIFY The album’s opener, ‘Mysterious Creature’, immediately sets a tone of brooding introspection. The track’s forlorn, R&B-inflected rhythm is punctuated by deep, resonant beats that echo like distant thunder, while Gleeson’s vocals, raw and unfiltered, imbue the piece with a haunting urgency. The interplay of piano and electronics in ‘Bruise’ adds a delicate, almost spectral quality to the mix, with Gleeson’s voice hovering above like a fragile apparition. Cover Photography by Johanna Dieskau | Cover Design by Aymerick Marie Rose Throughout ‘Suas’, the arrangements are meticulously layered, with each element—be it a sparse acoustic guitar or a swelling string section—serving to heighten the emotional resonance of the music. On tracks like ‘The Devil’ and ‘Clot’, Gleeson’s vocals are manipulated to merge seamlessly with the instrumental backdrop, creating a sound that is both ethereal and grounded. ‘Suas’ concludes with ‘Overgrowing’, a piece that lingers long after its final notes, offering a subtle yet powerful close to an album that is as introspective as it is grand. This debut solidifies Sour Blood as a formidable presence in contemporary music.

‘Caterpillars’ is a profound reflection on the inescapable changes of urban life, all while providing a deeply engaging listening experience. It’s a track that lingers, much like the city it was born from—complex, chaotic, and undeniably captivating. A masterclass in blending contrasting elements into a cohesive auditory experience, the track, born from the relentless construction noise outside his Brooklyn apartment, transforms the chaos of gentrification into an artful expression of tension and beauty. Follow Late Again on INSTAGRAM  | SPOTIFY  | YOUTUBE At its core, ‘Caterpillars’ is anchored by a driving beat sampled directly from a pile driver, giving the song an industrial edge that pulses with raw energy. This relentless rhythm, heavy with the grit of urban life, is counterbalanced by ethereal melodies that drift like a lullaby through a sleepless night. The blend of lo-fi textures and dreamlike electronica creates a soundscape that feels both intimate and expansive, pulling the listener into a world that is at once disorienting and deeply immersive. The track’s psychedelic undertones nod to trip-hop, with subtle shifts in tone and tempo that keep the listener suspended in a state of near-hypnosis. Late Again’s deft use of contrasting elements—harsh industrial beats against soft, haunting melodies—mirrors the thematic tension of navigating a world in flux, caught between the destruction of the old and the emergence of the new.

'Marinade' by Sonique is an emotional alchemy, transforming the raw ingredients of life’s challenges into a rich, flavourful experience that lingers; The track simmers with a slow-burning intensity, a carefully crafted blend of introspection and empowerment that leaves the listener feeling both nourished and invigorated. A PROJECT WITH RADA: 'Marinade’' is the latest release from RADA Unearthed, the music arm of the humanitarian organisation dedicated to spreading messages of love, inspiration, and choice through music, with royalties supporting community projects for positive impact. RADA Unearthed Website  | RADA Website From the very first note, 'Marinade' wraps itself around you like a warm embrace, the bassline pulsing like a heartbeat, steady and grounding. Sonique’s voice, both ethereal and earthy, weaves through the melody with the precision of a master chef adding just the right amount of spice. It’s as if each lyric is a secret ingredient, carefully measured and delivered with a deliberate yet effortless grace. The production, helmed by Mark Beling, is a masterclass in subtlety. Nothing is overdone; every element is balanced to perfection, allowing Sonique’s voice and message to take centre stage. The soundscape is layered, yet transparent, like a broth that has been simmered for hours, reducing down to its most essential flavours. There’s a tactile quality to the sound—close your eyes, and you can almost feel the textures, the way the rhythm gently stirs the soul while the melody lifts it. MUSIC VIDEO OUT 16TH AUGUST 2024 : FOLLOW SONIQUE FOR UPDATES INSTAGRAM  | FACEBOOK  | TIKTOK  | YOUTUBE 'Marinade' is a meditation on growth, on finding strength in the shadows and wisdom in the wounds. Sonique doesn’t shy away from the darker elements of the journey; instead, she invites them into the pot, letting them soften and blend until they become something nourishing. The chorus, with its mantra-like repetition, is a reminder that growth isn’t always a flash of lightning, but often a slow, steady process—like a marinade seeping into the core, transforming from the inside out. 'Marinade' is a dish best served often, a track that reveals new sounds with each listen... It’s a song that stays with you, its essence lingering in the mind like the memory of a particularly satisfying meal. Sonique has crafted something truly special, a sonic recipe that nourishes the spirit as much as it delights the senses.

Aistis’ ‘Clay’ is a mesmerising odyssey through the labyrinth of human relationships, brimming with emotional intricacies and experimental nuances. This 11-track alternative folk album, spun from the embers of his work on ‘Caviar For Seagulls’, captures a narrative that’s as elusive as it is gripping. From the first notes of ‘Thought It Over (And I Think You Should Move On)’, Aistis invites listeners into a world where time and emotions twist unpredictably. The arrangement toys with irregular pacing, creating a sense of disorientation that mirrors the album’s themes of love and self-discovery. Each track is a study in contrasts—delicate yet defiant, with the artist’s raw vocals often set against a backdrop of intricate guitar work and subtle orchestral flourishes. ‘Lilac Perfume’ stands out with its evocative sound, a blend of melancholic melodies interwoven with moments of aromatic pleasure. Aistis’ ability to craft atmospheric textures is fully realised here, as the song lingers like a fading memory. The closing track, ‘Clay’, encapsulates the album’s essence—a haunting piano ballad that ebbs and flows, reminding us of love’s ability to persist and transform. Throughout ‘Clay’, Aistis avoids conventional song structures, instead opting for a more fluid, theatrical approach. The result is a body of work that feels both intimate and expansive, a deeply personal exploration that resonates with universal themes. ‘Clay’ is not just an album; it’s a journey through the mutable landscapes of the heart. Find Aistis on Instagram   Listen To Aistis on Spotify  | Apple Music

Strap in music lovers, because Larusta's latest single 'King of Your Fall' is here to take you on a rollercoaster ride through the raw, rebellious heart of Indie rock. This isn't just another track to add to your playlist—it's a visceral experience that smacks you right in the feels and leaves you wanting more. FACEBOOK  | INSTAGRAM  | WEBSITE  | YOUTUBE   | SPOTIFY From the get-go, 'King of Your Fall' hooks you with its electrifying intro. Larusta’s voice, gritty yet hauntingly melodic, weaves through a tapestry of relentless guitar riffs and thundering percussion. Imagine the intensity of PJ Harvey’s early work, but infused with a modern twist that’s uniquely Larusta. It's like he’s taken the best parts of 90s grunge and blended them into an Indie rock cocktail with a punch you won't forget. The music video is a visual feast by Larusta and Alex Christidis - This isn't your typical band-in-a-room clip. No, this video is a cinematic journey through dark alleyways and surreal landscapes, perfectly mirroring the song's themes of struggle and triumph. The lyrics are where Larusta truly shines... This isn't just a song about empowerment; it's a battle cry for the soul. Drawing from his own tumultuous life experiences and spicing them up with a touch of the fantastical, Larusta crafts a narrative that’s both deeply personal and universally relatable. The line between reality and imagination blurs, creating a dreamscape where listeners can lose themselves while finding new angles on the human experience. As Larusta himself puts it, " When I write, I want to find new angles for describing the human experience ," and 'King of Your Fall' nails it. The video's imagery is bold and unapologetic. It doesn't just complement the song—it amplifies it, adding layers of meaning and emotion. The result is a powerful symbiosis of sound and vision that leaves a lasting impact. 'King of Your Fall' is more than a song; it's a statement. Whether you're an Indie rock aficionado or just in need of a musical jolt, Larusta’s latest offering is a must-listen. With this release, Larusta isn’t just making music—he’s making waves. And trust us, you’ll want to be riding them.

With the release of his new album, Life, Rob takes a reflective turn by delving into personal themes and universal experiences The album is a captivating blend of classic rock and pop influences , representing a significant progression in his musical journey; It encapsulates a variety of emotions and narratives, from the joy of coming home to the pain of heartbreak and loss, all while pondering life's big questions and celebrating love. This thematic richness is complemented by the artist’s diverse instrumental palette, showcasing his talent for crafting melodic and emotionally resonant songs that often feature his beloved guitars and other carefully chosen instruments. After a 20-year hiatus, Rob's return to the music scene is marked by his dedication to authenticity and artistic integrity; His collaboration with Sean Weyers on tracks like ‘Bulletproof’ and ‘You Ain’t The One’ adds a fresh dynamic to the album, highlighting his adaptability and creative evolution. Drawing inspiration from his idols, The Beatles, Rob's self-taught musical abilities are evident in the intricate arrangements and heartfelt lyrics - Life not only reflects his personal journey but also connects with listeners on a profound level, making it a standout in his discography! Facebook  | Instagram  | X   | Youtube  | Website  | Spotify In a candid conversation, he shares insights into his inspirations, the collaborative process, and his views on the current state of the music industry. What was the inspiration behind the title of your new album, Life? When I got back into writing and recording in 2020 it all became around the idea of getting “Back to the Start”; thus the title of my last album. When I started writing for this album in 2023, one theme (Life) after another kept creeping into each song and then when I wrote the song “Life” as the album closer, I knew that was it. “Life” picks up right after my last album saying ok, I am back now, and this is where I am at in my life. Who else is there too? “Life” touches on so many themes like coming home after being gone, heartbreak and loss, questioning what’s out there, and of course love. Can you share more about your experience collaborating with Sean Weyers on 'Bulletproof' and 'You Ain’t The One'? How did these collaborations come about after such a long hiatus?   Sean and I have been working together for just about two years now. He has mixed and mastered both of my albums. Spending a lot of time in the studio with him I learned about his own journey writing music and listened to a few of his older songs. What struck me was that he hadn’t written in a long time due to being busy at his studio. I simply asked him one day if he’d be interested in trying to write together. I hadn’t collaborated with anyone for a long time and Sean had never done it. We met one day and for two hours nothing came about. I was starting to think we were just trying too hard but then all of a sudden I started playing a chord on my guitar and Sean joined in and “Bulletproof” was written. I took the masters home and wrote the lyrics that night as well as laid down the guide vocal track the next day. Overall it took about 2 days to finish. “You Ain’t The One” was our second attempt to write together a few months later. This song was built off a guitar riff I had from an unfinished song of mine. Sean simply jumped in and this song was also done in about 2 days. We are already talking about working on another song real soon! You’ve used a wide range of instruments on this album. How did you decide which instruments to incorporate, and do you have a favorite one to play? When I am writing music I usually grab the closest guitar or piano and go from there. I know what each of my guitars sound like and how I can bend them to get what I want out of them. I could use three or four different guitars on one song if needed. My favorite guitars right now are my Epiphone Casino and Epiphone Riviera (Noel Gallagher Edition). All of my guitar solos were done on my Gibson Les Paul and my favorite bass to use is my Hofner. I just love the feel of the Hofner. It is hard for me to pick a favorite because I love them all! Streaming has significantly changed the music industry. How do you feel about the current state of the industry, and what challenges have you faced in this new landscape? Streaming has definitely changed the music industry today in a big way. On one hand it is easy for anybody to put music out there but on the other hand it is harder to make a true living off of it. Back in the day when you sold a single or an album you got real money. These days a stream equals almost nothing. “Back to the Start: The Album” had a million plus streams and I believe I made more money on pure sales of the album than I did on those million plus streams. Something has to change for artists to keep doing this. Looking back at your journey from rediscovering music during the pandemic to now releasing Life, what has been the most rewarding part of this process for you? Hearing from the fans that are listening to the songs, relating to the songs, and living the songs. I have always written songs with all of that in mind. Thank you! Listen Now  | Apple Music  | Amazon Music

R&B prodigy Ronzoni Hines has graced us with his inaugural music video for ‘Last Night’, a track that melds sleek vocals with evocative lyrics; This visual accompaniment captures the song’s essence, curating an atmosphere of intimacy and nostalgia. Hines, who gained significant traction with his debut single ‘Stand Up’, continues to impress with ‘Last Night’. The track features an irresistible groove, driven by a lush blend of pop, soul, disco, and rock influences. The instrumental is meticulously layered, with a rhythmic bassline and shimmering synths that perfectly complement Hines’ expressive vocal delivery. From the first note, Hines’ voice is a beacon of raw emotion and technical prowess. His ability to convey vulnerability and passion is unparalleled, making the listener feel every word. The track’s structure is both innovative and familiar, ensuring that it appeals to a wide audience while maintaining a fresh sound. The music video enhances this experience, set against a backdrop of hazy, dreamlike interiors. The visuals are understated yet compelling, mirroring the song’s narrative of fleeting yet powerful connections. It’s a universal story, one that Hines deliberately leaves open-ended, inviting listeners to imprint their personal experiences onto the music. X  | FACEBOOK  | INSTAGRAM ‘Last Night’ solidifies Ronzoni Hines’ status as a dynamic force in contemporary R&B. His commitment to experimenting with diverse sounds while maintaining a core of heartfelt storytelling is evident throughout the track. This release not only showcases his exceptional songwriting but also his ability to create immersive, emotive music that resonates deeply with his audience.

In his latest release, ‘Sweet Maria’, Young Jimmy takes listeners on an audacious journey through the labyrinth of interracial love, all set against a backdrop he calls 'hood rock'. This fiery blend of rock and rap creates an electrifying experience, challenging the conventions of both genres. The track begins with a raw, gritty guitar riff that immediately sets the stage for what’s to come. The instrumental foundation is robust and unyielding, reflective of Jimmy’s upbringing in the tough neighbourhoods of The Bronx. His guitar work is both frenetic and precise, evoking a sense of urgency and defiance. The rhythm section, with its pulsating bass and dynamic drums, provides a solid backbone, driving the track forward with relentless energy. INSTAGRAM | X | FACEBOOK Vocally, Jimmy’s performance is nothing short of compelling. His delivery alternates between impassioned verses and anthemic choruses, capturing the emotional highs and lows of the story. The interplay between his rock-infused vocal timbre and the rhythmic cadences of rap showcases his versatility and command over both styles. This duality in his performance mirrors the song's narrative, underscoring the complex dynamics of the relationship it portrays. The production of ‘Sweet Maria’ is meticulously crafted, with a keen attention to detail. The layering of instruments creates a rich, textured soundscape that envelops the listener. The use of distortion and reverb adds a gritty edge, while the crispness of the mix ensures that every element is distinct and impactful. ‘Sweet Maria’ stands out as a bold declaration of Young Jimmy’s innovative approach to music. By merging the raw power of rock with the rhythmic intensity of rap, he not only subverts genre expectations but also carves out a niche that is distinctly his own. This track is a testament to his artistic vision and a powerful addition to the contemporary music scene. https://youngjimmy.com/

This track is more than just a song; it’s a celebration of friendship, football, and the infectious joy of summer nights out Nasty Jack, a Grime veteran known for his work with the legendary N.A.S.T.Y Crew, teams up with the multifaceted Foxamous, who has gained viral fame with his unique blend of music and comedy. Together, they create a track that’s both nostalgic and refreshingly current, capturing the spirit of camaraderie that defines the summer season. FOXAMOUS : Soundcloud  | Facebook  | X NASTY JACK:   Facebook  | Instagram  | X   | Youtube  | NastyJack.co.uk   Photo Credit: Flash spacey ‘Pint with the Lads’ seamlessly blends elements of Grime, UK Garage, and EDM, resulting in a high-energy anthem that’s perfect for the dance floor. The track opens with an infectious beat that immediately draws listeners in, setting the stage for a musical journey that’s as exhilarating as it is enjoyable. Nasty Jack’s gritty, dynamic vocals combine with Foxamous’s playful, charismatic style to create a sound that’s both powerful and fun. The song’s lyrics celebrate the simple pleasures of life—spending time with friends, enjoying a pint, and immersing oneself in the excitement of football. This relatable theme, combined with the track’s upbeat tempo and catchy chorus, makes ‘Pint with the Lads’ an instant favourite for fans of all ages. To complement the release of the single, Nasty Jack and Foxamous have unveiled a music video - set for release on the 11th and directed by Flash Spacey, a filmmaker renowned for his creative and visually striking work. The video features a football-themed narrative that perfectly aligns with the track’s lively spirit. Shot against the bustling backdrop of London’s streets and iconic local pubs, the video showcases a night out with friends, filled with laughter, dancing, and, of course, football. The video includes cameos from prominent figures such as Little Mix, Mazza Abz, and Jon E Cash, adding an extra layer of excitement and authenticity. These appearances, coupled with the dynamic cinematography and engaging storyline, make the video a must-watch as the Euros finals approach. ‘Pint with the Lads’ is more than just a track; it’s a feel-good anthem that encapsulates the essence of summer. With its infectious energy and celebratory vibe, this collaboration between Nasty Jack and Foxamous is poised to become a staple of the season, resonating with fans across the UK and beyond. Whether you’re a football fanatic or just looking for a song to lift your spirits, ‘Pint with the Lads’ is the perfect soundtrack for your summer.