Walter Miller’s ‘Basic Instinct’ is a bold, theatrical pop-rock statement that thrives on confidence, clarity, and unapologetic self-expression. Drawing from the grand tradition of arena rock while maintaining modern pop precision, the track feels expansive without losing emotional focus — a carefully constructed anthem that celebrates fluidity, freedom, and instinctual truth. From the opening moments, the production signals intent. Live drums provide muscular propulsion, whi

‘The Change’ is Neil Friedlander’s most intimate and emotionally transparent work to date — an album shaped by reflection, sobriety, and personal recalibration… Across twelve tracks, Friedlander crafts a gentle but purposeful sonic world where growth unfolds gradually rather than dramatically. Produced by Chris Camilleri, the album blends shimmering indie-pop textures with folk-leaning songwriting. Acoustic elements coexist with soft electronics, creating a sound that feels o

OUTER’s ‘Svartsengi’ is a piece defined by stillness, patience, and emotional weight — a composition that lingers in the space between memory and uncertainty. Blending contemporary classical textures with ambient post-rock and chamber pop, the track unfolds slowly, inviting the listener into a suspended emotional state shaped by loss, waiting, and fragile hope… At its core is a lo-fi piano tape loop, delicate and imperfect, cycling like a thought that refuses to fade. This mo

‘Look Both Ways’ is a debut album that radiates intention, joy, and emotional clarity. Perspective’s fusion of funk, disco, pop, and alternative elements results in a record that feels cohesive without being predictable — built from lived experience and delivered with confidence earned through time rather than trend. The album thrives on groove. Funk-driven basslines and rhythm-forward arrangements form the backbone of the record, while shimmering guitars and polished pop str

Brittney Jenkins builds each track with the precision of someone who understands both the architecture of sound and the fragile structures of memory. Written and recorded in her home studio, then shaped further by producer Dan Duszynski, the album feels both handcrafted and expansive. ‘Cumulonimbus’ opens with guitars that crash and ripple like weather shifting overhead. The song sets the tone for the album’s central theme: the way inherited trauma moves through generations,

‘All My Exes’ is spirited, self-aware, and irresistibly catchy — a reminder that growth doesn’t have to be solemn, and sometimes the bravest thing you can do is laugh at your own reflection and keep going. ‘All My Exes’ marks a bright, confident shift for My Side of Paradise — a track that leans into humour, self-awareness, and the sheer joy of not taking yourself too seriously. After a run of heavy, cinematic singles, the band pivot into early-2000s pop-punk territory with a

Paul Roland doesn’t simply make records; he builds pocket dimensions. Lair of the White Worm — now re-released and sharper than ever — is one of those rare albums that feels less like a collection of songs and more like a cabinet you open at your own risk… Inside: plague years, gothic serpents, Hammer Horror corners, Greek myths, Edwardian oddities, and the faint, unsettling creak of a world sliding sideways. Roland has spent over four decades as rock’s most literary outside

Opening with the fragmented instrumental 00:31 , the record immediately establishes an intimate, diary-like narrative… The songs unfold sequentially, chronicling a journey from confusion and loss to renewed self-respect. bad habit  and see you go  illustrate the emotional turbulence of youth with layered synths, delicate piano motifs, and understated beats that allow MARI’s emotive vocals to shine. “It’s not about me being a goddess — it’s about every woman deserving to feel

Montreal-based SUUNCAAT continues to redefine experimental pop with her latest single, Signs, an intense fusion of hyperpop, cinematic storytelling, and electronic ritual… From the outset, the track immerses the listener in haunted synths, urgent drum & bass breaks, and earworm melodies that shift between ecstatic EDM swells and intimate pop passages. The production is meticulous: every sonic element — from tremolo-laden textures to sudden collapses in rhythm — contributes to

Energy Whores have always dealt in contrasts, from the brightness of their electronic palette to the darker, incisive intelligence behind their lyricism. But this single feels different: not angry, not frantic, but quietly surgical. It dissects modern life with a steady hand, pulling apart the illusion of digital closeness strand by strand. The production, built in Logic X, is deceptively minimal. A slow bloom of synth pads forms the backdrop, delicate enough to feel almost

A meticulously structured sonic experiment… a track where human emotion is translated into systemic pressure… The arrangement opens with cold, layered synths, progressing into a pulsating rhythm that echoes the sensation of a heartbeat under strain. As the track unfolds, melodies shift from still observation to turbulent collapse, mirroring the psychological tension at the heart of the song. Instagram | Twitter | Facebook | YouTube | Spotify Anna’s vocals thread thro

Sfork’s The World We Once Knew, featuring Fatboi, is a forward-thinking exploration of creativity in an AI-driven age… The track merges reflective rap with progressive EDM, balancing human narrative and machine-like production. Fatboi’s incisive verses confront themes of artistic loss and technological dominance, while Sfork’s production layers nostalgic synth lines over pulse-driven beats. Instagram , TikTok , X , Spotify , YouTube , Website Musically, the track juxtapo

ANASTÁZIE’s ‘Kiss & Let Go’  glows with a sense of freedom — a track that refuses to settle neatly into one category, instead blending R&B sensuality, Afrobeats rhythm, and jazz-tinged sophistication into a fresh and confident whole. Co-produced and written by ANASTÁZIE herself, it’s both technically sharp and emotionally fluid, flowing between smooth grooves and bright, effervescent hooks. Instagram ,  TikTok ,  Apple Music ,  Spotify From the opening bars, the rhythm secti

Sam Uctas’ The Dark Made Sense is an arresting record — the kind that feels less like an album and more like an unfiltered transmission from one person’s inner world. Recorded, performed, and mixed entirely by Uctas, it embodies his philosophy of imperfection as truth. The music is raw, unvarnished, and powerfully human. INSTAGRAM | SPOTIFY Using analogue equipment and a minimal setup, Uctas creates a sound that blurs the boundaries between rock, funk, avant-pop, and experim

For her eighth release, New York’s Lizzie Thomas has created something strikingly personal. ‘Awakening’ signals not only a shift in sound...

Jeeves’ new single ‘Where Did All The Good Men Go’ feels like the kind of track that could only have been written after years of quietly...

Across a decade’s worth of personal growth, Silby’s sound navigates the lush terrains of indie pop, bedroom pop, and alternative,...

just Min’s Molten  is a debut that feels lived-in from the very first note — a quietly cinematic exploration of grief, betrayal,...

Praised by tastemakers like Didier Varrod and Antoine Dabrowski, Zanagar uses the EP as a canvas for unapologetic self-expression,...