A Review of just Min’s Molten - a debut that feels lived-in from the very first note
- I'm Not From London

- Aug 13
- 2 min read
just Min’s Molten is a debut that feels lived-in from the very first note — a quietly cinematic exploration of grief, betrayal, identity, and transformation. Written in the wake of losing his grandmother, the death of a close friend, and a deeply personal betrayal, the Korean-born artist crafts songs that act as both diary entries and open letters.
The sound here is strikingly fluid, moving between indie pop, alternative R&B, and bedroom pop’s understated intimacy. There’s a hushed quality to his vocal delivery — gentle but resolute — that draws you in like a confidant. The production choices mirror the EP’s themes of change and instability: beats that ebb and flow, harmonic progressions that shift unexpectedly, moments of space that feel as weighty as the music itself.
Molten is steeped in metaphor. The title alone evokes heat, destruction, and eventual reshaping — a perfect encapsulation of its arc. Each track feels like a chapter in a journey from raw wound to something newly formed. While the subject matter is heavy, Min never resorts to melodrama; instead, he leans into restraint, letting small sonic details — the echo of a reverb tail, the warmth of layered harmonies — carry the emotional charge.
The record also bears the marks of Min’s transitory life between Seoul and Hong Kong, his sense of belonging scattered across places and memories. That in-betweenness seeps into the music, giving it a restless yet reflective quality.
With over 600,000 streams already and early praise from outlets like Wonderland and Notion, Moltenpositions just Min as a distinctive new voice in alternative pop — one who understands that sometimes the most powerful way to tell a story is to whisper it, and let the listener lean in.












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