Feature: My Side of Paradise Announces New Single ‘All My Exes (feat. Jaret Reddick of Bowling For Soup)’
- I'm Not From London

- Dec 12, 2025
- 2 min read
‘All My Exes’ is spirited, self-aware, and irresistibly catchy — a reminder that growth doesn’t have to be solemn, and sometimes the bravest thing you can do is laugh at your own reflection and keep going.
‘All My Exes’ marks a bright, confident shift for My Side of Paradise — a track that leans into humour, self-awareness, and the sheer joy of not taking yourself too seriously. After a run of heavy, cinematic singles, the band pivot into early-2000s pop-punk territory with a playful wink, turning introspection into something loud, fun, and refreshingly unguarded. It’s a breakup anthem that admits the thing most people avoid saying aloud: sometimes you’re the common denominator.
The track bursts with classic pop-punk signatures — chugging guitars, punchy drums, and a chorus built for shouting along. But beneath the energy, there’s a polish that feels distinctly modern, keeping the nostalgia sharp rather than retro for its own sake. The band clearly understand the blueprint of the genre, but they update it with a clarity and heaviness that matches their earlier releases.
Jaret Reddick’s guest appearance is more than a novelty feature. His unmistakable tone blends seamlessly into the track’s world, turning the song into a cross-generational dialogue within the pop-punk tradition he helped define. There’s a sense of lineage here — the past and present talking to each other with mutual enthusiasm.
My Side of Paradise lean into their wit, balancing self-deprecation with emotional honesty. The writing is sharp without ever losing heart, and the delivery keeps the mood buoyant even when the admissions cut close to the bone. It’s a song that understands heartbreak but refuses to drown in it; instead, it invites listeners to laugh, wince, and bounce along in equal measure.
The accompanying video amplifies the chaos with a therapy session gone rogue. As reality unravels — exes appearing from nowhere, the waiting room mutating into a live-performance stage — the surreal humour mirrors the track’s emotional tone. The AI-generated appearance of Reddick, crafted through Midjourney and Kling, adds another layer of playful absurdity without overshadowing the music itself.











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