In the heart of Miami Beach's pulsating rhythm, A1exo emerges as a musical luminary with his latest single, 'The Hook Up.' Released on November 23, 2023, this track is more than a song; it's an immersive journey into the soul of a vibrant night out, narrated through A1exo's magnetic fusion of alternative, electronic, dance, pop, and rock influences. From the first note, 'The Hook Up' becomes a sonic odyssey, weaving together passionate melodies, deep bass lines, and dynamic vocals to create a tapestry of sound that is as diverse as the city that inspires it. A1exo's commitment to crafting a harmonious experience is evident in the careful selection of instruments — the piano, drums, and bass, each contributing to the symphony of emotions embedded in the track. The lyrics are a testament to A1exo's storytelling prowess, offering a glimpse into the exhilarating world of spontaneous connections at a lively gathering. It's a musical narrative that transcends the ordinary, inviting listeners to not only hear but feel the infectious energy of the moment. What sets 'The Hook Up' apart is its visual counterpart. The music video, a visual feast, amplifies the vivacity of the song, taking viewers on a visual journey that mirrors the track's carefree atmosphere. A1exo's charismatic presence and the vibrant scenes captured during filming elevate the song to a multi-sensory experience. Following the success of 'Beautiful Woman,' A1exo's trajectory continues to ascend. The music video for 'The Hook Up' serves not only as a companion to the song but as a testament to the artist's commitment to delivering a complete, immersive experience to his audience. In the realm of contemporary music, A1exo is carving a niche for himself, blending genres and creating an eclectic sound that is uniquely his own. 'The Hook Up' is not just a single release; it's a declaration of A1exo's artistry, a sonic and visual proclamation that establishes him as a force to be reckoned with in the music industry. As the vibrant beats of 'The Hook Up' reverberate, A1exo solidifies his place among the trailblazers shaping the future of sound.

Grace Gachot's latest offering, 'Built To Be Bad,' unveils a soul-stirring journey through the tumultuous landscape of heartbreak, defying the conventions of typical pop music. Produced by the accomplished Ollie Green, the track serves as a compelling narrative, intertwining emotionally charged lyrics with a lush and cinematic sonic palette. From the very first notes, Gachot's vocals seize the spotlight, immersing the listener in a realm of unfiltered vulnerability. BBC Radio1's Jack Saunders aptly labeled it "a special piece of pop music," acknowledging the song's ability to authentically capture the essence of heartache. Gachot's masterful navigation of pain's rhythm results in a composition that not only tugs at the heartstrings but also resonates with a genuine and gripping intensity. The inclusion of a live string orchestra elevates the auditory experience, introducing a layer of richness that complements the emotional depth of the track. Each note seems to echo the complexities of heartbreak, creating a sonic tapestry that feels both cathartic and immersive. What sets 'Built To Be Bad' apart is Gachot's ability to channel her own experiences into the music, infusing it with a raw authenticity that is palpable. The song becomes more than just a piece of entertainment; it transforms into a shared experience, a sonic companion for those navigating the intricate landscape of love and loss. As the track gains momentum on TikTok, nearing 700k views, it's evident that Gachot's artistry resonates with a diverse audience. The promise of a climactic music video adds an extra layer of anticipation, hinting at a visual narrative that will undoubtedly complement the song's depth. In essence, 'Built To Be Bad' is not merely a song; it is an emotional odyssey, a testament to Grace Gachot's prowess in crafting music that transcends the ordinary, leaving an indelible mark on the sonic landscape.

Silas Funk's 'Backwards' is a sonic revelation that heralds the arrival of a visionary in the alternative rock realm As a preview to his forthcoming debut album 'Sugarfixx,' this electrifying track is a testament to Funk's avant-garde approach to music production, redefining conventions and crafting a sound that seamlessly integrates nostalgia with innovation. The genesis of 'Backwards' is as unique as its sound. Funk's serendipitous discovery, where the accidental placement of his hand on the keyboard birthed a pulsating rhythm, serves as the soulful heartbeat of the song. This anecdote reflects Funk's organic and intuitive creative process, setting the stage for an immersive listening experience. WEBSITE | FACEBOOK | YOUTUBE | INSTAGRAM | TWITTER | SOUNDCLOUD What truly sets 'Backwards' apart is its ability to blend elements of the past with a contemporary twist. The inclusion of original 4-track cassette recordings, featuring a poignant phone message from an old girlfriend, adds a layer of authenticity to the track. This infusion of personal history amplifies the heartfelt atmosphere, allowing listeners to connect with the music on a deeper level. Silas Funk's influences, drawn from iconic artists like The Killers, The Cure, and Green Day, are evident in 'Backwards.' However, he manages to bring a fresh and inventive perspective to the alternative rock scene, promising a musical journey that defies expectations. The anticipation surrounding the accompanying music video for 'Backwards' speaks volumes about the track's potential to be a game-changer. The song itself is a showcase of Funk's musical prowess and versatility, featuring a diverse array of instruments, from electric guitars and bass guitar to analogue synths, electronic drums, and marimba. This rich musical tapestry highlights Funk's commitment to pushing boundaries and exploring the vast spectrum of sound. Silas Funk's musical journey, from the dissolution of his first Alt-Rock band to composing scores for NASA documentaries, culminates in 'Backwards.' As he forges ahead with his solo venture, the track becomes a bold declaration of forward motion—a glimpse into the creative brilliance that awaits within 'Sugarfixx.' Drawing inspiration from the late 70s to early 90s, Funk aims not to replicate the past but to embrace its essence while pushing the boundaries of what's possible in the future of rock and roll. 'Backwards' is a compelling invitation to join Funk on this musical odyssey, promising an unforgettable ride through uncharted sonic territories.

Victoryaz is an enigmatic avant-garde neo-soul artist from Germany. She has rapidly emerged as one of the biggest talents in her homeland, with her husky voice and genuine, down-to-earth character. Her single 'PACE' has garnered nearly 500,000 streams on Spotify alone, and she is currently on the verge of her most exciting body of work to date. Victoryaz's seamlessly blends contemporary hip-hop beats with an irresistible pop sensibility, captivating audiences and elevating her performances to grand stages. ‘BED,’ Victoryaz's latest EP, showcases her artistic evolution. Produced by Joe Gehring, known for his work with artists such as K.I.Z., Kummer, Felly, Nura, this EP is a testament to her creative prowess. She is currently hard at work on her debut album, where she takes on the role of producer herself. This ambitious undertaking promises to be a pure reflection of her artistry, an unfiltered showcase for Victoryaz to take full creative reigns and control. 1. In 'Good Luck,' you express a sense of empowerment and confidence. How do you use your music as a form of personal empowerment, and what message would you like your listeners to take away from this track? I feel like writing and composing music gives me a lot of clarity after a situation. In “Good Luck” I could finally say the things I wanted to, even though I haven‘t talked to this person in years and it somehow gave me even more closure. I want my listeners, especially my female listeners to know their worth and feel empowered to know every relationship that ends, ends for a reason. 2. Your music seamlessly combines different elements from various genres. If you could collaborate with any artist, dead or alive, who would it be, and what kind of musical experiment would you embark on together? Oh, that‘s a tough one. There are so many. I have to say Jessie Reyez because the moment I discovered her and her music my life wasn‘t the same. I would love to be in a room with her and write. I would want it to be a sassy R&B track that makes you feel powerful and worthy. 3. Your EP 'BED' was a significant step in your musical journey. If 'BED' was a visual piece of art, what kind of painting or artwork would it be, and why? It would show two people kissing and two dark shadows in the background. I wrote the entire EP in a month and a lot of people walked in and out of my life during those 4 weeks. 4. As you take on the role of producer for your upcoming debut album, it's clear you're embracing creative control. If your music had a 'spirit animal,' what would it be, and how does it reflect your vision for this new project? I feel like the spirit animal depends on my current project. For my upcoming album it would have to be a bull because it came from a very angry place and I had to be very strong. 5. If 'Good Luck' were the soundtrack to a movie scene, what type of scene would it be, and can you paint a picture of the storyline that would unfold with your music as its backdrop? “Good Luck” would play when a person realizes that she deserves better. Probably in a scene where the character has flashbacks about all the wrong behavior of her/his partner and finally gets the strength to pack her/his bags and leave.

BritYard, perched atop Regent Street at 310-312 Remo House, is carving out its niche as a cultural haven with the unveiling of London's Hidden Gem This intimate speakeasy-inspired event space is more than just a venue; it's a dynamic platform showcasing the diverse sounds and talents that form the beating heart of London's emerging music scene. Having recently witnessed the soulful rhythms of Mrisi and the mesmerising sonic odyssey of Talulah Ruby, BritYard's Hidden Gem is becoming synonymous with an authentic and immersive live music experience. The carefully curated lineup for the remainder of November promises to continue this trend, featuring the soulful sounds of Nyrah Soull on the 23rd and the eclectic vibes of Ruby Francis on the 30th. FIND OUT MORE BritYard is positioning itself as a tastemaker, offering a spotlight to artists on the brink of breaking through. The venue's commitment to showcasing emerging London talent is a refreshing departure from the mainstream, creating a space where authenticity and innovation take centre stage. The subterranean setting adds an air of exclusivity to the experience, creating an intimate environment where artists and audiences connect on a deeper level. The venue's focus on providing a unique platform for live music and cultural gatherings is not just a testament to its commitment to the arts but also an exciting prospect for emerging musicians seeking a space that values creativity and authenticity. As the event series unfolds its musical journey, the curated experience goes beyond the stage. A collective of the finest local tastes and talents, exceptional drinks are available from partners such as Gusbourne Wine, Round Corner Brewing, and Silent Pool Distillers enhance the sensory experience, while the tasting and retailing room invites attendees to explore and support curated brands, creating an immersive cultural journey. BritYard invites you to embark on a captivating journey through the world of music, culture, and the very best of British craftsmanship. FACEBOOK | LINKEDIN | PINTEREST | INSTAGRAM| WEBSITE This innovative approach extends beyond the traditional music venue model. It is not merely a stage for performances but a collaborative space that fosters a symbiotic relationship between artists and audiences. By championing emerging talent, BritYard is creating a cultural incubator that values creativity and artistic expression, challenging the norms of mainstream entertainment. Attendees at Hidden Gem's events are not passive spectators; they are active participants in a collective celebration of London's diverse musical tapestry. The subterranean setting encourages a sense of intimacy, fostering a connection between artists and the audience that transcends the conventional boundaries of a typical music venue. This interactive exploration adds a layer of authenticity to the experience, making each event a unique and memorable occasion. BritYard is about creating a holistic experience that resonates with the soul of London's emerging cultural scene. As the venue continues to unfold its narrative, it stands as a testament to the city's vibrant creativity and a promising space for those seeking an authentic and immersive journey.

Mary Helen Margaret, the enchanting musical talent known for her unique blend of rustic, earthy vibes, and unapologetic pop, is back with her latest offering: 'Aquamarine' EP. This captivating musical voyage is a reflection of her distinct style and artistic prowess, embracing the spirit of both Colorado and California in an ethereal and unforgettable way. In the opening notes of Track A1, Mary Helen Margaret sets the stage for a spellbinding musical journey. The fusion of rustic, earthy vibes with unapologetic pop creates a sonic landscape that is both captivating and unique. The innovative use of instruments, from resonant drum samples to subtle mouth clicks, showcases Mary Helen Margaret's commitment to pushing artistic boundaries. The track unfolds like an enchanting story, drawing listeners into its emotive depths. Mary Helen Margaret's vocals, simultaneously spiritual and sultry, add a personal touch to the narrative, inviting the audience to connect on a profound level. The accompanying music video complements the track impeccably, visually translating the nuanced emotions embedded in the music. Track A1 is a testament to Mary Helen Margaret's ability to craft not just songs but immersive experiences, leaving an indelible mark on the listener. Continuing the captivating journey initiated by A1, Track A2 unfolds with a seamless progression that adds new layers to Mary Helen Margaret's sonic palette. The track maintains the EP's enchanting blend of styles while introducing fresh nuances, revealing the artist's versatility. A2 delves deeper into introspection, with Mary Helen Margaret's vocals serving as a poignant guide through the emotive landscape. The track's composition and lyrical depth showcase a profound connection to the themes explored in 'Aquamarine.' The accompanying music video for A2 is a visual masterpiece, enhancing the track's narrative and adding a cinematic quality to the overall experience. Together, Track A1 and A2 form a dynamic duo that not only showcases Mary Helen Margaret's musical prowess but also invites listeners into a rich, multi-faceted exploration of emotion and sound.

‘Letting Go of You’ is the eighth single to be released on October 18th, 2023, from the independent artist duo Moxxy Jones’ debut synth-pop album, ‘Unnoticed,’ available in Dolby Atmos. This track, an energetic, hard-hitting pop rock tune reminiscent of U2, The 1975, and even some 1980's Brit Pop, is a break-up anthem about the power that can come from letting a relationship go. Thematically, the song aligns with other previously released tracks on love and loss. Yet, unlike some of the other songs on the ‘Unnoticed’ album, this track’s power radiates the strength that results from ending something that simply no longer works. 1. Can you tell us more about the inspiration behind your latest single Letting Go of You and the message you wanted to convey through it? Milan: At the point in the writing process where the track started to make sense for me, the inspiration was wanting to be on stage with a guitar and just ripping into something. The track ended up having this frantic energy that just really struck me as feeling like you have to get out and make a change. It’s in the context of a relationship but it can really be about anything. You have the feelings and energy bubbling under your skin and you just have to get out there and show the world who and what you are. Frank: When I first started hearing melodies for this song, they reflected a certain sort of somberness. But that didn’t really fit into the song that it had become until Milan workshopped it and added his guitar track AND we started collaborating with an amazing singer/songwriter on the top-line vocals. All of a sudden, what Milan had transformed into an upbeat rock song now became an anthem about the challenges of breaking up with someone and how that really can make you stronger in the end. I loved that direction, since bringing back some of the sadness from the initial melodies turned into a strong statement of how life’s challenges can really empower you. 2. Your music has been described as a blend of various genres. How do you approach creating a sound that's both familiar and unfamiliar at the same time? Milan: It starts with appreciating and enjoying a lot of different music. My most recent listens on my phone are Turnstile, Nine Inch Nails, The Stone Roses, Roxette, Miksu / Macleod, Sofiane Parmat, and Jiro Inagaki. Having different things always playing in the background subconsciously telling you to try different things. When it comes to writing music, Frank and I will share what we’re each working on but a lot of the time we don’t tell each other what we’re thinking or what direction we want things to go in. So, we’re each creating in a vacuum to a certain extent. Frank is much kinder with my work but when I get something from Frank, a lot of the time, I’m trying to break it. If he sends a soft piano piece, the first thing I’m doing is trying different death metal drums over it. Frank: I try to write things I’d like to listen to myself, which inevitably reflects the different styles of music I might listen to on any given day. While I’ve always been drawn to singer/songwriters, I also have a deep appreciation for modern pop, 90s R&B, prog rock, and even hair bands. This necessarily creates some level of familiarity in our sound and a blend of genres - even if not entirely intentional. But it also means that I’m adding my own creative voice to whatever I try to write. 3. What was the creative process like for ‘Letting Go of You?’ How did the song evolve from its initial ballad form to an upbeat rock tune? Milan: Frank had sent me a pretty worked out piano piece. One melody line really stood out to me and I went down the rabbit hole of chopping everything up, throwing things out, and building things around that melody line. Other than that melody line, I’m not sure what was left from that initial track. Then, I spent a fair amount of time layering synths and experimenting with different effects until I had this wall of sound. It was a piece of ambient music that I really liked the sonics of but it didn’t go anywhere. It wasn’t anything close to a song. We kept the track in the background and I would pull it up every once in a while, play around with tempos and try programming different drum parts to try and get it to do something. Finally, one day, I wrote a bunch of drums and everything clicked. The track had energy. I pulled out a guitar, cycled through some presets on an old Korg A2 rack unit from the 90s and recorded the first few takes of whatever guitar ideas I could come up with. It was about thirty minutes of guitar playing and the whole track had morphed into a rocker. From there, Frank and I cleaned up the edges and reached out to a great singer to add her two cents. A couple of weeks later, we were at Sunset Sound in LA finishing up the track in the same room that The Rolling Stones and Led Zeppelin had recorded in. Frank: I had been dealing with some personal stuff and had been writing a lot of little musical snippets, mainly in minor keys, and I ended up just shelving most of them. After doing this for a few weeks, I finally heard a really simple melody in my head, and when I sat down at the piano, out came a ballad. I kept refining it and eventually sent a pretty full thought to Milan to take a listen. In that way, writing ‘Letting Go Of You’ was a pretty typical example of how Milan and I work together. I came up with something really basic, and maybe even a bit somber, sent it to Milan, and then he completely reworked it into an upbeat rock song with driving guitars and room for powerhouse vocals. We then reached out to an amazing singer/songwriter who we worked with on the top-line vocals and turned this into an anthem about the strength that can come from ending something that just doesn’t work. 4. The juxtaposition of empowering lyrics with harmonies that contrast with the music is intriguing. How do you achieve this balance in your songs? Milan: Contrast and friction create beauty. A great amplifier isn’t a hi-fi stereo machine. It purposefully has imperfections, which are what give you the character. For me, I’m always in search of the tension and the contrast. It’s just interesting to me. I’ve always loved The Police and how Sting’s lyrics were often the complete opposite of the bubbly happy music going on. There’s a lot of other artists like The Smiths that have taken a similar approach. I really like the subversive nature of that approach. Frank: Music is most interesting to me when it’s a bit unexpected, and I think this song does that pretty well. After we started laying down some early vocal track ideas, we were able to refine the song and focus on every specific element - making sure the bass line was massive, that there were still certain heavy synth lines, and that the melodies and harmonies stood out over all of the music that was now coming into place. If you listen closely, you can even hear some country-inspired harmony lines, which I think is a great contrast to the rest of the song. This whole process takes a lot of patience and a willingness to put the song over anyone’s personal egos - what ends up in the final track is what sounds the best, not what someone likes the most. 5. Working with producer Starita, you expanded the boundaries of your sound. Can you share more about this evolution and the industrial influences in this track? Milan: I remember hearing Nine Inch Nails’ ‘Head Like a Hole’ on a pre-concert mixtape for a band I went to see. I had no idea what the song was called or who did it. But, “bow down before the one you serve…” was permanently etched in my brain. It was years later when a friend wanted to play me the new band he had just discovered before I actually made the connection that it was Nine Inch Nails I had heard and that they were playing industrial music. That led me down the road to Ministry, KMFDM, the Wax Trax Box Set and all the artists on their label. Growing up in Portland, those bands and that sound really resonated for me in the dreary, rain soaked, Chuck Palahniuk Pacific Northwest. I think Starita has a similar love of industrial music. For his part, I don’t see Starita as trying to shape our sound in any one direction. We come up with a lot of different sounds and ideas and he’s a much more skilled technician than we are. He’s a great sounding board and guide on how to get what we’re after to work. 6. Moxxy Jones is known for pushing the boundaries of pop music. What motivates you to ignore conventions and explore new musical territory? Milan: Why would you want to be like everyone else? There’s a lot of them, there’s only one of you. I’m trying to make music that I want to hear but I’m not otherwise hearing anywhere. We may not be entirely successful at making the music we want to make, but we’re trying and we’re on our way. Hopefully, other people want to hear what we’re after and want to come along for the ride. But, we’re doing this entirely for ourselves. Frank: The nice thing about Moxxy Jones is that we just write music that we want to hear, not what someone tells us to write. That allows us to incorporate our inspirations, add sonic elements that may not always be conventional, and let the song develop in a way that’s organic rather than forced. 7. Your musical partnership has been described as a study in contrast. How do your individual influences and creative differences contribute to the unique signature sound of Moxxy Jones? Milan: What resonates with you and what you want to listen to everyday can be very different from what you appreciate at an intellectual level. 2001 is a fantastic film but if I have to watch one movie every day for the rest of my life, it’s not going to be 2001. While there’s a lot we do collectively, a lot of the music that individually moves Frank or me has the complete opposite effect for the other person. We can appreciate what the other is into but we absolutely are not a fan of it. Since we are our influences, as writers Frank and I are in a seemingly endless cycle of pushing things on each other that we’re not fans of and forcing each other to deal with it and make it something we are a fan of. It’s a labor intensive process but we’re trying to break new ground. Frank comes up with melodies and chord changes that there’s no way I would stumble upon in a hundred years. I think he would say the same about me. Frank: My influences really come from what my parents listened to when I was a kid. My dad was a huge classical music buff, and that’s probably where I first developed an appreciation for melodies, counterpoints, and complex harmonies. But what I really ended up gravitating toward was the stuff my mom listened to - Billy Joel, The Beatles, the Beach Boys, and other classics. Those influences and the music I was listening to when I started writing my own songs (lots of hair bands, alternative, and even some Top 40) really helped me develop my own sound. When you match this with Milan’s style (incorporating his own influences), you get something that sometimes is a bit weird but always is pretty unique. 8. Your debut album, ‘Unnoticed,’ is available in Dolby Atmos. How does this technology enhance the listening experience, and what led you to release your music in this format? Milan: We spent a fair amount of time talking with Starita about it and comparing how different things sounded. Higher ups in the industry appear to be invested in it as the future and film appears to be going along as well. You never know how things are going to shake out but you don’t want to be the artist refusing to put your music on CDs but cassettes are the number one seller. You have to try and take a chance to be ahead of the game. Frank: Dolby Atmos really helps you hear all of the textures in our songs. What may sound like a fairly simple track can sometimes reflect dozens of different instruments, voicings, and production choices. Putting this in a format that allows you to hear this nuance in a new and different way makes a lot of sense. And the fact that this is how the industry is trending further validates this choice. 9. Can you share your thoughts on the significance of being independent artists in today’s music industry, and how it has influenced your fearless creative process? Milan: In starting Moxxy Jones, the number one rule Frank and I had was that no one was going to tell us what to do. We’re going to follow whatever muse and work with people that excite us and chase whatever we’re hearing. We want people to enjoy what we’re making but business is not dictating what we’re doing. That kind of creative freedom is difficult to maintain in big business. Beyond being a phenomenal artist, Kendrick Lamar and Frank Ocean are really spiritual guides on that level of integrity. We may end up with fewer toys at the end of the day, but we’re going to make things that matter. Frank: It’s great being an independent artist because we’re allowed to explore ideas that might otherwise get shelved because they didn’t fit someone else’s preconceived notions of what our music should be. While that may mean that some of our songs might fly a bit under-the-radar, this still allows us to be true to our own creative process and allows our songs to rise or fall based 100% on our own efforts and creative processes. Hopefully people still like what they hear, though!

Today, the heavy groove and thrash metal sensation known as Gathering of Bones, led by founder Christopher Vitale, is ready to unleash their latest sonic assault upon the world. Their single and album, 'One Reality,' is set to re-ignite the groove metal genre with its high-energy, no-holds-barred sound. WEBSITE | FACEBOOK | YOUTUBE Can you tell us about the inspiration behind the song 'One Reality' and the message it conveys? As objective truth manifests in two main forms – philosophy-based truth and science-based truth – I care about promoting the necessary balance between faith and reason. As such, I also care about clear, irrefutable distinctions between objective truth and subjective truth. “One Reality” explores what objective truth means, while also adding some satire about personal agendas superseding actual reality. The “one reality” is that objective reality exists – it’s here to stay. How has the band's sound evolved since its founding in 2017, and what sets Gathering of Bones apart from other metal bands? Much of Gathering of Bones’ sound has been built on offering a kind of “something for everybody” angle to metal music. If you think about it, most popular metal songs, within the past ~35 or so years, have either had a strong thrash element or a strong groove element – or both. And though there is now a wide array of metal genres, some of which have a lot of personality and creativity to offer, the combination of thrash and groove, in my view, is a kind of bridge between various metal genres. Still, the GoB sound, overall, has matured a bit since 2017. At first, most of the songs were a barrage of punches to the face – constant intensity, wanting to give the most bang for the buck within three to four minute songs.The songs today still have quite a bit of energy / intensity, but now with more dynamics, more focused on telling a story, though still within the three to five-minute timeframe. What can fans expect from the music video that accompanies 'One Reality,' and how does it enhance the overall experience of the song? Hopefully a captivating, motivating, thought-provoking, yet adrenaline rushing experience. You've mentioned influences ranging from Metallica to Gojira. How do these influences manifest in your music, and how have you made this style your own? As the guitarist / primary composer in the band, I have always loved metal music based on outstanding technical work blended with memorable hooks. I especially love catchy riffs, an impressive array of chops, expressive guitar solos, and powerful drums. For example, when I hear people hum parts of Metallica songs – the catchy drum fills, or guitar hooks, melodic basslines, etc – that’s exactly the effect I want my songs to have on people. That the music resonates with them so much, they want to memorize every single hook in the song. Hooks are powerful: I don’t think they ever go out of style – they always draw listeners in. Just like a hit movie with many memorable lines – it’s the same with music. GoB strives to do the same. Could you share some insight into the process of creating 'One Reality,' from songwriting to recording? For much of my music life, I have been kind of a one man band in my head. When I begin writing a riff, I almost immediately hear the bass and drums (and other instruments sometimes) playing along with the riff. I also hear exactly what I imagine for the bass and drum parts, though I almost always defer to my peers to write their parts. Funny – and amazingly – enough, my peers often end up writing what I basically imagined anyway! And if a song ends up going in a different direction – tempo,different dynamics, effects, and so on – from what I may have originally imagined, I simply let the process go in that direction. I may be the primary composer, but I also want my peers to be 100% happy with their contributions to the songs – that their own musical *voice* can be heard in every single song. Above all, the songwriting journey should largely be, well, a journey. We work, rework, rework again, and rework yet again, until we all exclaim “that seriously rocks!” by the end of the song. The single's title suggests a deep philosophical theme. How does this theme relate to the band's values and message? GoB cares greatly about solid morals and values. This includes, as mentioned earlier, a deep appreciation for truth and all that it entails. “One Reality” reflects GoB’s concern about ideas that polarize people, and that healthy discussions about tough topics must start with a sincere desire to get to the truth. How important is it for Gathering of Bones to inspire independent musicians to create and share their music with the world, and what advice do you have for aspiring artists? Thanks to distributors, PR companies, and other music related businesses that strongly support indie music, musicians have no shortage of options to help get their music heard. However, this also means being as well-rounded a musician as possible. I know that many musicians want to focus mostly on their craft; they care about staying true to their art and being accomplished musicians. Yes, being authentic in your work is crucial – but so is having good business sense, knowing how to navigate the music industry, and using all helpful tools and means possible to build a professional portfolio: band website, branding, high quality recordings, social media presence, solid communication skills. Musicians must know how to – and not be afraid to – *network* in the industry. As the old saying goes: You miss 100% of the chances you don’t take. Musicians must make “taking chances” a staple in every part of their career. Your music is described as a fusion of groove and thrash metal. How do you balance technicality with catchiness in your compositions? I give much of the credit to my first two guitar teachers: My first teacher was mostly about economy in playing / less is more / make all notes fit at the right place at the right time. My second guitar teacher was a bit of the opposite: be a master at riffs, chops, solos, shredding, don’t hold back, make your listeners’ ears bleed with non-stop excitement. I tried out both camps in the first five or so years of my guitar playing. From there – including a whole lot of growing up along the way – I took what I considered the best from both worlds and have strived to strike a good balance ever since. In fact, many of my favorite guitar players have that special knack for being both technical and catchy: Mark Tremonti, Nuno Bettencourt, Dave Mustaine, James Hetfield, Rob Flynn, Tommy Victor, Joe Duplantier, Dimebag Darrell, Tom Morello, Joe Satriani, Zakk Wylde, John 5, Jonas Jarlsby, and the list goes on! Can you share some details about the creative direction of the captivating music video and how it complements the intensity of the song? The visual element is meant to capture the intense sound in the song, while also being thought-provoking. In the realm of heavy metal, what does it mean for Gathering of Bones to "break boundaries" with 'One Reality,' and what kind of impact do you hope the single will have on the metal community and your fans? By “boundaries,” I mean allow metal songs, regardless of genre, to have a life of their own and not be overly boxed into a certain time period or social trend. Sadly, I see many metal enthusiasts stay so hyper-focused on their favorite genres, that they look down on other genres, or think a certain style of music is now “old school”; or they expect metal music to have no ceiling when it comes to creativity or originality. Or some musicians spar over what is the ultimate tuning – B standard versus drop C versus E flat versus drop D versus E standard, etc – or who has the most intense sound, or who is the most daring, or who sounds the most “metal” overall. Once upon time, the whole idea of metal was to rebel against the status quo and do what you want with your high-energy sound. It’s a bit bizarre now to encounter metal “purists” or metal snobbery. Why can’t a great piece of music simply be, well, a great piece of music? GoB hopes to show that there’s room for all kinds of metal out there.

Southern California's enigmatic alt-pop duo, Mary Helen Margaret, has unveiled their latest single, 'Watching me giving birth to a vacuum'. This track serves as a compelling testament to their unique fusion of folk, pop, and emo influences, firmly establishing them as distinctive voices in today's music scene. Over the course of five years, Mary Helen Margaret and her collaborator, Small Scotch, have artfully crafted music that reflects their introspective and nostalgic inclinations. Renowned for their unapologetic and self-assured approach to their art, the duo's music harmoniously blends various genres, leaving a lasting impression on listeners. 'Watching me giving birth to a vacuum' embodies a mood that is both upbeat and candid. The song delves into themes of personal empowerment and self-belief, delivering its message with unwavering confidence. Its genre-defying sound, best described as alt-pop, sets it apart, making it a must-listen for music enthusiasts seeking something fresh and thought-provoking. The creative process behind this track involved an array of instruments, including distorted acoustic guitar, 80s-style electric guitar, drum samples, and auto-tune. The result is a captivating fusion that perfectly encapsulates the duo's unique musical style. Drawing comparisons to artists such as Lana Del Rey, Miley Cyrus, Lorde, Pinegrove, Tove Lo, and Florence + The Machine, Mary Helen Margaret's music boasts broad appeal, making it an excellent fit for a wide range of playlists and audiences. Reflecting on the song's inspiration, Mary Helen Margaret shares a powerful message: "When you have been abused your whole life, and everyone tells you the abuse you experienced didn't happen at all, you sometimes have to scream for 30 years before you can believe it happened yourself. But you know what happened. You were there. You were in the room. Don't let anyone confuse your sense of knowledge around anything that hurts you, past or present. You know everything. No one can steal your reality." With additional releases planned in the next three months, Mary Helen Margaret's commitment to creating captivating music remains unwavering. Their previous successes, including placements on notable Spotify playlists like 'White Girl Playlist,' 'Carmaniac | Car Music 2023,' and 'Alt Pop | New Alt and Indie 2023,' solidify their position as influential figures in the music scene. 'Watching me giving birth to a vacuum' is a bold and empowering alt-pop single that underscores Mary Helen Margaret's artistic prowess and their dedication to producing music that resonates deeply with the human experience. It's a must-listen for those seeking music with substance and style.

Kay Sebastene's latest release, 'who the hecK', is not just a song; it's a sonic and visual journey that invites listeners to explore the depths of her creative vision and personal evolution. Collaborating with producer Dhandy Annora, known for his work with renowned Indonesian artists, Kay has crafted a track that beautifully blends R&B and dance pop, creating an emotionally charged atmosphere that captivates from the first note. The music video that accompanies 'who the hecK' is a work of art in itself, intensifying the song's themes. It's an invitation to delve into Kay's world and experience her journey firsthand. The video complements the music, providing a visual narrative that adds depth and dimension to the song's emotional resonance. But it's not just the visuals that make 'who the hecK' stand out; the creative process behind the track is a testament to Kay's dedication to her craft. The song incorporates a diverse range of instruments, from the haunting woodblock to the punchy electronic drum pads, soulful brass lines, and even the unexpected addition of a tuba. These elements come together seamlessly, creating a dynamic and emotionally charged musical narrative that mirrors Kay's personal growth. Speaking of growth, 'who the hecK' is, for Kay, a cathartic experience. It's a song that peels off the band-aid from a healed wound, leaving behind a scar that she has come to embrace. Kay's personal journey, marked by trials and discouragement, has transformed her from a place of self-doubt into a position of empowerment. This transformation is reflected not only in the lyrics but in the sound itself. The lowercase title of the single, 'who the hecK,' with the capitalized 'K' representing her name, is a symbolic reflection of Kay's unique brand identity. It's a subtle detail that highlights her individuality as an artist. As Kay continues her musical journey and collaborations with fellow musicians like Bagas and Prasiman, her music resonates with authenticity, humanity, and sincerity. 'who the hecK' is not just a song; it's an anthem of resilience and determination that inspires others to overcome their own obstacles. Kay Sebastene's ambition extends beyond the studio. She's eager to share her energy and enthusiasm with live audiences, aiming for both local and international stages. Her journey is a testament to the power of perseverance, and she stands as an inspirational figure for aspiring musicians and anyone facing challenges on their path to success. With 'who the hecK,' Kay Sebastene has not only announced her arrival but also left an indelible mark on the music scene.

Asheville-based rising artist Dani Grace is gearing up for the release of their highly anticipated EP, 'One Version of Me.' Filled with enchanting melodies and heartfelt lyrics, this captivating collection effortlessly fuses elements of pop, dance, and R&B to transport listeners into a realm of ethereal fantasy. Drawing inspiration from notable artists while infusing their own unique style, Dani Grace's music resonates with fans of contemporary pop while introducing captivating new elements. The EP's lead track, ‘Flight 2U’, showcases Dani's exceptional talent for crafting synth-driven soundscapes that explore themes of desire, love, and longing. Since embracing the production side of music, Dani Grace has discovered new avenues of creativity. For 'One Version of Me,' Dani chose to collaborate with beat producer Matthew May, acquiring a selection of beats that perfectly complement their artistic vision. Utilizing FL Studio for vocal recording, mixing, and mastering, Dani Grace skillfully crafts each track, honing their unique sound and capturing the essence of their creative vision. The EP represents a significant step forward in Dani's musical journey, displaying promising elements that hint at the artist's ongoing exploration of new sonic territories. Dani Grace's musical odyssey began with their first left-handed guitar at the age of 14, igniting a passion that would shape their career. By 16, Dani was already recording their own music, using it as a refuge from the world. A fortuitous encounter with Peter Brownlee at 18 led to the creation of significant releases such as ‘Artificial Emotions’ and ‘Closer’, which showcased Dani's determination for a lifelong career in music. The setbacks imposed by the COVID-19 pandemic only fueled their ambition, as Dani utilized the time to construct a home studio and explore new dimensions of creativity. Looking ahead to 2023, Dani Grace has set their sights on ambitious goals. Alongside the release of 'One Version of Me,' they plan to unveil a minimum of three singles, captivating audiences with their enchanting melodies and heartfelt lyrics. The emotionally charged tribute ballad, ‘MAMA’ released on Mother's Day, stands as a testament to Dani's ability to channel their experiences of grief, love, and loss into moving compositions. It serves as an indicator of the emotional depth present in their music and showcases Dani's growth as a songwriter. With the impending release of 'One Version of Me,' Dani Grace's unique blend of pop, dance, and R&B is set to captivate audiences once again. The EP promises to take listeners on a transcendent musical journey, with each track lingering in the imagination long after the final note fades. Dani's passion for music and commitment to their craft shines through in every carefully crafted melody and lyric. As fans eagerly anticipate this latest chapter in Dani Grace's mesmerizing musical journey, it's clear that the artist's talent and dedication will continue to shape their burgeoning career. Dani Grace's 'One Version of Me' EP represents a significant milestone in the artist's musical evolution. With their enchanting melodies, heartfelt lyrics, and ability to seamlessly blend genres, Dani Grace is poised to make a lasting impact on the pop music scene. As listeners embark on the musical journey crafted by 'One Version of Me,' they will undoubtedly find themselves eagerly awaiting the next chapter of Dani Grace's artistic exploration. Photo credit: Ginnie Busick Who is Dani Grace and what does she stand for? I am a primarily self taught singer, songwriter, and producer. What I stand for is self expression and encouraging people to chase their dreams. As someone with chronic illness, I want to show people like me that their physical limitations don’t define them, and I also hope to educate others on chronic health since it’s something I feel is very overlooked. Can you talk to our readers through your latest release - 'One Version of Me' EP, and its creative journey? One Version of Me is a mix of pop/dance/rnb songs that focus on love and longing. For this EP, I want listeners to be able to escape reality through my ethereal Melodies and beats. This EP also features Malik, my first collaboration, on Until We Try. The EP was produced with the help of Matthew May. The first track, Wanted, is about the longing for someone to feel the same way as you but they don’t because of their fear of commitment. From here, listeners are brought to Until We Try, which brings the longing to a forefront with back and forth conversation of taking the next step with someone you love. The last track, Flight 2U, brings all these feelings around with wanting to do anything to be with your person no matter the obstacles that stand in the way. Which track was your favorite to record? What was the selection process like for the EP? My favorite track to record was Flight 2U. I’ve had it sitting in my song vault for some time, and when I began planning the EP, Flight 2U stood out as one of the songs I should include. The selection process was fairly simple. The hardest part was finding a feature for Until We Try, but once Malik came into the picture the entire song came together and definitely made the EP even better. Who do you draw inspiration from? Who are your influences? Illenium is my biggest musical influence. The way he builds his music is spectacular and beautiful. My other influences include Jessie Murph and Grey Zeigler Do you have any unreleased ideas in the works? Yes I do. I’m currently beginning the writing and early production for a new single, and plan to do at least 2 more after during this year

The electrifying beats of Sir Winston's latest indie-sleaze single, ‘Perfectly Numb’, are not only captivating music enthusiasts but also weaving a thread that connects art and fashion sustainability. Hailing from New York City and with Australian roots, Sir Winston has proven himself a maestro at blending genres and creating unique sonic experiences. Now, he extends his artistic prowess into the world of fashion, echoing his commitment to creativity and sustainability. Sir Winston's musical journey unfolds like a symphony of genres, and his single ‘Perfectly Numb’ is a testament to his diverse inspirations. Drawing influence from iconic acts such as LCD Soundsystem, MGMT, New Order, and Nine Inch Nails, Sir Winston expertly crafts a sound that resonates with indie pop and electronic music aficionados alike. The single's energetic and infectious beats make it an instant hit for any party, while its unique blend of styles sets it apart as an artistic masterpiece. However, Sir Winston's creativity doesn't stop at music. He has seamlessly merged his passion for music with sustainable fashion through his brand, aptly named Sir Winston. The brand has gained recognition for its commitment to environmental consciousness, crafting clothing collections that echo Sir Winston's innovative spirit and dedication to a greener future. Sir Winston's sustainable fashion endeavors have already caught the attention of major fashion campaigns, including collaborations with NIKE, VOGUE, Victoria’s Secret, and Maybelline. His designs reflect a fusion of artistic expression and eco-friendly practices, creating a distinctive fashion line that resonates with conscious consumers. Beyond the runway, Sir Winston's sustainable fashion ethos is deeply embedded in his lifestyle. His recent Pop-Up installation on the Lower East Side of Manhattan showcased not only his clothing collections but also his dedication to a sustainable and artistic lifestyle. As Sir Winston takes his music and fashion journey on a global tour this summer, he invites enthusiasts to join him on a captivating ride. From energetic club shows in his homeland Australia to his soul-stirring Tech House DJ sets, Sir Winston's creative endeavours know no bounds. ‘Perfectly Numb’ is just one facet of Sir Winston's artistic tapestry, a glimpse into the multifaceted world he weaves through music, fashion, and sustainability. As he continues to push boundaries and explore new horizons, we eagerly await the release of his forthcoming EP 'Démons à Combattre,' a showcase of his unparalleled talent and boundless creativity. Can you explain the concept of Sir Winston as a sustainable fashion label and music persona? I’ve always loved making music, it pumps my blood and gets me through life. I’ve made a lot of albums and released them under many different monikers. I also love fashion. It’s another way to express myself and it’s highly creative. I love the way that I feel when I put an outfit together. We transform when we put on clothes. We can be whoever we want to be. I love David Bowie. He’s probably my all-time most adored artist. He was such a chameleon and continually reinvented himself in amazing ways. So after taking a break from all creative projects for a few years, I was drawn back in with a huge desire to be even more creative and to try new things. I created Sir Winston as not just a new moniker – but multidimensional – to be a brand as well that would enhance the music and also help get my messaging across. I recently did a pop-up shop in New York and it was the first proper physical presence we’d had as a brand. I loved how people would leave the shop happy and excited in Sir Winston. We gave away Sir Winston music releases on vinyl and we had the recent Sex in Paris collection available. It was so good to finally explain to people some of the processes involved with making sustainable clothes and products. For example, I made Eco-Slides for summer out of recycled plastic, specifically salvaged from building sites. It was a very involved process making those slides that took a long time. Making people feel amazing and turning them on with music, incredible experiences and sustainable fashion is the Sir Winston mission. And whilst we do it, we hope to get the message across that there are better ways that we can make clothes, party, and enjoy life without harming the planet. It’s all about caring about each other at the end of the day. Caring about what happens to our planet for future generations. Caring about the animals that live here too. Caring about your neighbour. The world has become so selfish. I’d hoped that the pandemic would leave the world with more of a sense of global community but I think it might take more than a global pandemic to get us there. I think every individual and every brand needs to start caring more. How do you believe fashion can contribute to a more sustainable future? It’s more about how it can stop being part of the problem. Global clothing manufacturing and the related packaging is incredibly harmful to the planet - plus we over consume. Vivienne Westwood famously said: “buy less, choose well, make it last”. The Vivienne Westwood brand is a brilliant example of a brand with a huge sustainable heart, that has at its core, a desire to promote awareness and campaign against climate change. There are countless ways that brands can contribute to a sustainable future. By using organic and recycled materials and by not using first generation plastic. By deeply monitoring and making sure that their supply chains are using sustainable and ethical practices. By minimizing wastage and not over producing. By sourcing more locally to reduce pollution and energy consumption. It’s really easy for brands to adopt better packaging. The last few years have seen incredible new options with recycled and plant-based bio-degradable packaging. It may cost slightly more – but the younger audience want to see a sustainable heart to a brand – so the support will be there in the end if they do it. Brands can use their position of influence to continue to push the message harder. The planet is not happy – we have fucked it right up - we can fix it - but we need to do it now. With music artists it’s so easy for them to contribute to sustainability. It really is a no brainer. I get so annoyed at a show when I see artists are not making any effort. When I see that they are selling merch that is not organic or recycled. If all the artists in the world decided to only sell recycled and organic merch at their concerts and through their websites, it would have a massive impact. If they made sure that all that merch was shipped in a recycled or biodegradable package. Boooooom! – a huge impact. And with the extra messaging about sustainability around their merch it will impact their fans - who can spread the message further. I nearly always buy a shirt at a show and I go to a lot of shows. The only artist that I have seen selling sustainable T-shirts at a show in the last year was Nick Cave. It was really good to see – well done Nick! Could you share some insights into how Sir Winston aims to ensure sustainability throughout your production process? I’m very passionate about sustainability and it's the core principle of my brand. I studied sustainability and I have a master’s degree in Sustainability from Bond University in Australia. I’m always learning and I pay attention – it’s a constantly evolving space. We are strongly committed to Sustainable, Eco-Friendly, Fair Trade & Ethical practices across all aspects of our brand including our products, manufacturing, labor, packaging & fulfillment. We’re continually striving to lessen our impact on the environment, and we’re committed to packaging solutions that are both good for our customer and good for the environment. We have a ZERO first generation plastic policy across every aspect of the brand. Our premium garments are packaged in boxes made from recycled post-consumer waste cardboard and are 100% recyclable and Responsible Forestry Certified ensuring that products come from responsibly managed forests that provide environmental, social and economic benefits. Some accessories are packaged in 100% recycled plastic bags. All our products are shipped in 100% biodegradable mailer bags made from corn starch, they are home & commercially compostable and leave no harmful residue behind once they break down. Our swing tags are made from post-consumer waste cardboard, manufactured 100% carbon neutral and using vegetable based inks (an eco-friendly alternative to petroleum based inks). Our label ties are made from 100% Hemp, eco-friendly, biodegradable, AZO-Free Dye & Oil-Free. Our wrapping paper & stickers are made from 100% recyclable & biodegradable acid free FSC paper & printed with Eco friendly Soy-based Inks. And our USA based fulfillment company is a Green Eco-friendly company, utilizing the best sustainable business practices with minimal impact on the environment. That’s where we’re at currently – but we keep our eyes open for better. In your opinion, why is it crucial for the fashion industry to prioritize sustainability and adopt more eco-friendly practices? It is obvious that the world is imploding. We are in decline. Global warming is as real as fuck and we are now living through it and the consequences are diabolical. The huge floating island in the Pacific Ocean the size of Texas made from plastic waste is disgusting. It’s disgraceful. The disappearing Amazon Jungle is disgusting and a disgrace. I could go on and on. It’s partly because of greed and because some people don’t care. A lot of the people in power are selfish and greedy. But it's about education too. The knowledge is there and the solutions are there, but putting it into action requires a global focus. Individual habits need to change and that’s hard. Corporate habits need to change too and that’s even harder. We need the great creative minds in fashion and music to show they have big hearts and to use their huge influence. It’s starting to happen – the generation coming up want to see more sustainable practices in action – more recycled collections and less waste. But there are still brands out there that don’t care and only want to make money. Fast fashion needs to fuck off. But I want to see more from the music industry as well as the fashion industry. Like I said earlier – sell only recycled shirts at your show and don’t put it in a plastic fucking bag! What role does music play in conveying the message of sustainability and promoting conscious fashion through the Sir Winston brand? I get a lot of attention with my music and when people dig deeper they discover the brand and the messaging around it. Music is my first passion, and always will be – it’s my oxygen. But I’m loving so much to learn and share my knowledge with other artists around sustainability and I believe that collectively we can make a difference.